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Statements

Subject Item
dbr:Andrew_Mazzei
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Andrew Mazzei
rdfs:comment
Andrew Mazzei (1887–1975) was a French-born British art director who designed the sets for more than sixty films during his career. Mazzei began his career in the late 1920s during the silent era including on the futuristic High Treason. By the 1930s he was working for Gainsborough Pictures, designing backdrops for the critically acclaimed train-set thriller Rome Express in 1932.
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Andrew Mazzei
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Andrew Mazzei
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dbr:Seine-Maritime dbr:Le_Havre dbr:France dbr:Upper_Normandy
dbo:deathPlace
dbr:England dbr:United_Kingdom dbr:Cornwall
dbp:deathPlace
dbr:Cornwall dbr:England United Kingdom
dbo:deathDate
1975-08-06
dbp:birthPlace
dbr:Le_Havre dbr:Seine-Maritime dbr:Upper_Normandy France
dbo:birthDate
1887-08-02
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dbc:People_from_Le_Havre dbc:1975_deaths dbc:French_art_directors dbc:French_emigrants_to_the_United_Kingdom dbc:1887_births dbc:British_art_directors
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dbp:birthDate
1887-08-02
dbp:deathDate
1975-08-06
dbp:occupation
Art director
dbp:yearsactive
1926
dbo:abstract
Andrew Mazzei (1887–1975) was a French-born British art director who designed the sets for more than sixty films during his career. Mazzei began his career in the late 1920s during the silent era including on the futuristic High Treason. By the 1930s he was working for Gainsborough Pictures, designing backdrops for the critically acclaimed train-set thriller Rome Express in 1932. His 1940s work includes Gainsborough Melodramas such as Madonna of the Seven Moons and The Magic Bow as well as the Film Noirs The Upturned Glass and They Made Me a Fugitive. In 1947 he was employed on the Technicolor film The Man Within. Most of his final films during the early 1950s were lower budget crime thrillers.
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André Jean Louis Mazzei
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1952-01-01
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1926-01-01
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André Jean Louis Mazzei
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1887-01-01
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1975-01-01
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