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German composer (1860–1940)

Property Value
dbo:activeYearsEndYear
  • 1940-01-01 (xsd:gYear)
dbo:activeYearsStartYear
  • 1882-01-01 (xsd:gYear)
dbo:birthDate
  • 1860-12-17 (xsd:date)
dbo:birthPlace
dbo:birthYear
  • 1860-01-01 (xsd:gYear)
dbo:deathDate
  • 1940-06-29 (xsd:date)
dbo:deathPlace
dbo:deathYear
  • 1940-01-01 (xsd:gYear)
dbo:description
  • compositeur (fr)
  • compositor alemán (es)
  • compositore tedesco (it)
  • compositor alemany (ca)
  • compozitor german (ro)
  • kompozitor gjerman (sq)
  • niemiecki kompozytor (pl)
  • немецкий композитор (ru)
  • німецький композитор (uk)
  • מלחין גרמני (iw)
  • Saksamaa helilooja (et)
  • cumadóir Gearmánach (ga)
  • cyfansoddwr a aned yn 1860 (cy)
  • német zeneszerző (hu)
  • tysk kompositör (sv)
  • জার্মান সঙ্গীত রচয়িতা (bn)
  • آهنگساز آلمانی (fa)
  • ملحن ألماني (ar)
  • compositor alemán (gl)
  • musikagile alemaniarra (eu)
  • tysk komponist (da)
  • tysk komponist (nn)
  • deutscher Komponist und Organist (de)
  • Duits componist (1860-1940) (nl)
  • German composer (1860–1940) (en)
  • compositor alemán (1860–1940) (ast)
dbo:occupation
dbo:thumbnail
dbo:wikiPageExternalLink
dbo:wikiPageWikiLink
dbp:birthDate
  • 1860-12-17 (xsd:date)
dbp:birthPlace
dbp:cname
  • Hans Fährmann (en)
dbp:deathDate
  • 1940-06-29 (xsd:date)
dbp:deathPlace
dbp:id
  • Fährmann, Hans (en)
dbp:name
  • Hans Fährmann (en)
dbp:occupation
  • Romantic music composer and organist (en)
dbp:quote
  • Despite much praise for Fährmann's valuable personal traits, it must be said that he never understood how to make use of the press for himself. He belongs to those musicians whose false modesty must appear blameworthy to all, who have recognised out of which kind of wood this hard-edged artist is carved, who have come to love him, because he has given us in his works ... [of] so infinitely much beauty and profundity. (en)
  • Fährmann renounces every concession which he might make for the sake of general success. With an energy bordering on recklessness he pursues his goals... Thus he is first and foremost one of the most modern, a Richard Strauss of the organ literature. His harmonies are of an intrepid audacity... With it hand in hand goes his ability for contrapuntal design, which can be considered as downright amazing... And to boot he adds salient and characteristic thematic invention... (en)
dbp:sname
  • Hans Fährmann (en)
dbp:sopt
  • w (en)
dbp:source
  • J. Hennings in Die Harmonie, February 1912 (en)
  • Otto Schmidt in the Dresdner Journal, 1905 (en)
dbp:width
  • 33.0 (dbd:perCent)
dbp:wikiPageUsesTemplate
dbp:yearsActive
  • 1882 (xsd:integer)
dct:subject
gold:hypernym
rdf:type
rdfs:label
  • Hans Fährmann (en)
  • Hans Fährmann (ca)
  • Hans Fährmann (de)
owl:sameAs
prov:wasDerivedFrom
foaf:depiction
foaf:isPrimaryTopicOf
foaf:name
  • Hans Fährmann (en)
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