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About: Pittura infamante     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPunishments, within Data Space : dbpedia.org associated with source document(s)

Type: Thingyago:WikicatArtGenresyago:Abstraction100002137yago:Act100030358yago:ArtisticMovement108466643yago:Category105838765yago:Cognition100023271yago:Concept105835747yago:Content105809192yago:Event100029378yago:Genre105845332yago:Group100031264yago:GroupAction101080366yago:Idea105833840yago:Kind105839024yago:Movement108464601yago:PsychologicalFeature100023100yago:Punishment101160342yago:WikicatItalianArtMovementsyago:YagoPermanentlyLocatedEntitymusic genreyago:SocialControl101123598yago:SocialGroup107950920yago:WikicatPunishments New Facet based on Instances of this Class

Pittura infamante (pronounced [pitˈtuːra iɱfaˈmante]; Italian for "defaming portrait"; plural pitture infamanti) is a genre of defamatory painting and relief, common in Renaissance Italy in city-states in the north and center of the Italian Peninsula during the Trecento, Quattrocento, and Cinquecento. Popular subjects of pittura infamante include traitors, thieves, and those guilty of bankruptcy or public fraud, often in cases where no legal remedy was available. Commissioned by governments of city-states and displayed in public centers, pittura infamante were both a form of "municipal justice" (or "forensic art") and a medium for internal political struggles.According to Samuel Edgerton, the genre began to decline precisely when it came to be regarded as a form of art rather than effigy;