Coros de clave were popular choral groups that emerged at the end of the 19th century in Havana and other Cuban cities. Their style was influenced by the orfeones which grew popular in northern Spain in the mid-19th century, and their popularization in the island was linked to the emancipation of African slaves in 1886. The common instrumentation of the coros featured a viola (a string-less banjo used as a percussion instrument), claves, guitar, harp and jug bass.
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