rdfs:comment
| - Chichewa (a Bantu language of Central Africa, also known as Chewa, Nyanja, or Chinyanja) is the main language spoken in south and central Malawi, and to a lesser extent in Zambia, Mozambique and Zimbabwe. Like most other Bantu languages, it is tonal; that is to say, pitch patterns are an important part of the pronunciation of words. Thus, for example, the word chímanga (high-low-low) 'maize' can be distinguished from chinangwá (low-low-high) 'cassava' not only by its consonants but also by its pitch pattern. These patterns remain constant in whatever context the nouns are used. (en)
|
has abstract
| - Chichewa (a Bantu language of Central Africa, also known as Chewa, Nyanja, or Chinyanja) is the main language spoken in south and central Malawi, and to a lesser extent in Zambia, Mozambique and Zimbabwe. Like most other Bantu languages, it is tonal; that is to say, pitch patterns are an important part of the pronunciation of words. Thus, for example, the word chímanga (high-low-low) 'maize' can be distinguished from chinangwá (low-low-high) 'cassava' not only by its consonants but also by its pitch pattern. These patterns remain constant in whatever context the nouns are used. Tonal patterns also play an important grammatical role in Chichewa verbs, helping to distinguish one tense from another, and relative clause verbs from main clause verbs. Tones are also used in intonation and phrasing. Conventionally Chichewa is said to have high tones (H) and low tones (L). However, it has been argued that it is more accurate to think of it as having high-toned syllables versus toneless ones. Not every word has a high tone. Over a third of nouns are toneless and are pronounced with all the syllables on a low pitch. When a noun has a high tone there is usually only one, and it is usually heard on one of the last three syllables. However, some nouns, like nyényezí 'star', have two tones or, like tsábólá 'pepper', a plateau of three high-toned syllables. Chichewa thus in some respects can be considered to be a pitch-accent language with a 'mixture of accentual and tonal properties'. Some scholars, however, notably Larry Hyman, have argued that the term 'pitch-accent language' is an over-simplification and should be avoided; in his view it is best to consider such languages simply as one variety of tonal languages. (en)
|