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Atana or AThana (अठाण / अठाणा) is a raga (musical scale) in Carnatic music (South Indian classical music). It is a Janya raga (derived scale), whose Melakarta raga (parent, also known as janaka) is Sankarabharanam, 29th raga, commonly known as Shankarabharanam in the Melakarta system. Sometimes pronounced aDaaNaa (अडाणा). There is a Hindusthani raaga named अडाणा, which is totally different. It is considered to be a very catchy raga that gives a stage flavor for a musician when everything is going dull in a concert. It stimulates the audience by its qualities of Veeram (courage).

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  • Atana (en)
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  • Atana or AThana (अठाण / अठाणा) is a raga (musical scale) in Carnatic music (South Indian classical music). It is a Janya raga (derived scale), whose Melakarta raga (parent, also known as janaka) is Sankarabharanam, 29th raga, commonly known as Shankarabharanam in the Melakarta system. Sometimes pronounced aDaaNaa (अडाणा). There is a Hindusthani raaga named अडाणा, which is totally different. It is considered to be a very catchy raga that gives a stage flavor for a musician when everything is going dull in a concert. It stimulates the audience by its qualities of Veeram (courage). (en)
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  • Atana (en)
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  • Atana or AThana (अठाण / अठाणा) is a raga (musical scale) in Carnatic music (South Indian classical music). It is a Janya raga (derived scale), whose Melakarta raga (parent, also known as janaka) is Sankarabharanam, 29th raga, commonly known as Shankarabharanam in the Melakarta system. Sometimes pronounced aDaaNaa (अडाणा). There is a Hindusthani raaga named अडाणा, which is totally different. Atana is very common in drama music. The note structures include, "Sadja, Chatusruti Rishabha, Suddha Madhyama, Pancama, Chatusruti Dhaivata, Kaisiki Nishada and as a rare feature, Kakali Nishada in descent." It is considered to be a very catchy raga that gives a stage flavor for a musician when everything is going dull in a concert. It stimulates the audience by its qualities of Veeram (courage). (en)
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