The Girl with an Oar (Russian: Девушка с веслом) is an archetypal example of Socialist Realism in outdoors architecture of the Soviet Union, "an idiom of the Soviet kitsch". Numerous gypsum alabaster versions authored by Ivan Shadr and Romuald Iodko adorned Soviet parks of culture and recreation, and young pioneer camps. Seen as a symbol of Soviet erotica and totalitarianism today, it was part of the monumental propaganda of sports, a model of a healthy person, ubiquitous in Soviet arts of late 1920s–1930s.
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| - Chica con un remo (es)
- Girl with an Oar (en)
- Девушка с веслом (ru)
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| - Chica con un remo (en ruso, Де́вушка с весло́м) es el nombre común de varias esculturas realizadas en diferentes épocas por los escultores y . Sin embargo, más tarde este nombre se convirtió en un nombre familiar y comenzó a usarse para referirse a todas las estatuas similares, que comenzaron a aparecer en multitud de parques de ocio y cultura por toda la URSS. (es)
- «Де́вушка с весло́м» — общее название скульптур, выполненных в разное время скульпторами Иваном Шадром и Ромуальдом Иодко, ставшее нарицательным для обозначения подобных им гипсовых статуй («гипсового соцреализма»), которые в советское время украшали парки культуры и отдыха. (ru)
- The Girl with an Oar (Russian: Девушка с веслом) is an archetypal example of Socialist Realism in outdoors architecture of the Soviet Union, "an idiom of the Soviet kitsch". Numerous gypsum alabaster versions authored by Ivan Shadr and Romuald Iodko adorned Soviet parks of culture and recreation, and young pioneer camps. Seen as a symbol of Soviet erotica and totalitarianism today, it was part of the monumental propaganda of sports, a model of a healthy person, ubiquitous in Soviet arts of late 1920s–1930s. (en)
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| - Chica con un remo (en ruso, Де́вушка с весло́м) es el nombre común de varias esculturas realizadas en diferentes épocas por los escultores y . Sin embargo, más tarde este nombre se convirtió en un nombre familiar y comenzó a usarse para referirse a todas las estatuas similares, que comenzaron a aparecer en multitud de parques de ocio y cultura por toda la URSS. (es)
- The Girl with an Oar (Russian: Девушка с веслом) is an archetypal example of Socialist Realism in outdoors architecture of the Soviet Union, "an idiom of the Soviet kitsch". Numerous gypsum alabaster versions authored by Ivan Shadr and Romuald Iodko adorned Soviet parks of culture and recreation, and young pioneer camps. Seen as a symbol of Soviet erotica and totalitarianism today, it was part of the monumental propaganda of sports, a model of a healthy person, ubiquitous in Soviet arts of late 1920s–1930s. The first Girl with an Oar by Shadr was that of a naked girl. It was heavily criticized for being "too vulgar". It was destroyed and known only from a single photo. The second one was naked as well, "more chaste" but still naked. Initially installed in Gorky Park, Moscow, it was criticized as well and eventually "disappeared", and Shadr made another copy to be installed in Luhansk, Ukrainian SSR. The popular stereotype of the Girl with an Oar is the one in a swimsuit, created by Romuald Iodko. (en)
- «Де́вушка с весло́м» — общее название скульптур, выполненных в разное время скульпторами Иваном Шадром и Ромуальдом Иодко, ставшее нарицательным для обозначения подобных им гипсовых статуй («гипсового соцреализма»), которые в советское время украшали парки культуры и отдыха. (ru)
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