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Fantastic (magazine) Fantastic (revista) Fantastic (magasin) Fantastic (rivista) Fantastic (majalah)
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Fantastic was an American digest-size fantasy and science fiction magazine, published from 1952 to 1980. It was founded by the publishing company Ziff Davis as a fantasy companion to Amazing Stories. Early sales were good, and the company quickly decided to switch Amazing from pulp format to digest, and to cease publication of their other science fiction pulp, Fantastic Adventures. Within a few years sales fell, and Howard Browne, the editor, was forced to switch the focus to science fiction rather than fantasy. Browne lost interest in the magazine as a result and the magazine generally ran poor-quality fiction in the mid-1950s, under Browne and his successor, Paul W. Fairman. Fantastic fue una revista estadounidense en formato digest de ciencia ficción y fantasía propiedad de Ziff-Davis que se publicó entre 1952 y 1980. Se fundó como revista acompañante de Amazing Stories, y las primeras ventas fueron buenas; luego, Ziff-Davis decidió rápidamente cambiar el formato pulp de Amazing a digest, y cesó la publicación de la revista de ciencia ficción Fantastic Adventures. En pocos años las ventas cayeron, y Howard Browne —el editor— se vio obligado a cambiar el foco editorial hacia la ciencia ficción en lugar de la fantasía; como resultado, Browne perdió el interés en la revista y ésta se publicó generalmente con ficción de baja calidad a mediados de la década de 1950, precisamente durante la titularidad editorial de Browne y luego, de su sucesor Paul W. Fairman. Fantastic var en fantasy-tidning (senare även science fiction) publicerad i USA mellan 1952 och 1980. Tidningen grundades av Ziff Davis som ett fantasykomplement till science fiction-tidningen Amazing Stories. Fantastic blev snabbt populär och lösnummerförsäljningen ökade snabbt. Efter några år vände dock försäljningssiffrorna kraftigt nedåt och redaktören tvingades att byta ut fantasyinnehållet mot det mer populära science fiction-temat. Bytet orsakade emellertid att redaktören själv förlorade intresse för tidningen, vilket anses ha sänkt dess kvalitet avsevärt. Fantastic adalah sebuah dan Amerika, yang terbit dari 1952 sampai 1980. Majalah tersebut didirikan oleh sebagai penyertaan fantasi dari Amazing Stories. Fantastic era una rivista statunitense di fantasy e fantascienza, in formato digest, pubblicata dal 1952 al 1980. Il titolo è cambiato più volte e spesso è stato dato in modo incoerente tra la copertina, il dorso, l'indice e il colophon.
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Fantastic fue una revista estadounidense en formato digest de ciencia ficción y fantasía propiedad de Ziff-Davis que se publicó entre 1952 y 1980. Se fundó como revista acompañante de Amazing Stories, y las primeras ventas fueron buenas; luego, Ziff-Davis decidió rápidamente cambiar el formato pulp de Amazing a digest, y cesó la publicación de la revista de ciencia ficción Fantastic Adventures. En pocos años las ventas cayeron, y Howard Browne —el editor— se vio obligado a cambiar el foco editorial hacia la ciencia ficción en lugar de la fantasía; como resultado, Browne perdió el interés en la revista y ésta se publicó generalmente con ficción de baja calidad a mediados de la década de 1950, precisamente durante la titularidad editorial de Browne y luego, de su sucesor Paul W. Fairman. A finales de la década de 1950 Cele Goldsmith asumió el cargo de editor en Fantastic y Amazing y rápidamente fortaleció ambas revistas, incluyendo varios escritores nóveles que, en palabras de un historiador de ciencia-ficción, las transformarían en «las mejores y más brillantes» revistas en su tipo.​ Ella ayudó a nutrir el inicio de las carreras de diversos escritores de la talla de Roger Zelazny y Ursula K. Le Guin, aunque no pudo ser capaz de incrementar los niveles de circulación, por lo que en 1965 ambas publicaciones se vendieron a , quien contrató a como editor e implementó una política de reimpresiones que, aunque trajo consigo éxito financiero, puso a Cohen en conflicto con la recién formada Asociación de escritores de ciencia ficción y fantasía de Estados Unidos. Tras un período turbulento a finales de la década de 1960, Ted White se convirtió en editor y las reimpresiones se eliminaron. White trabajó duro para transformar a la revista en una publicación exitosa; así, introdujo obras de arte provenientes de artistas que se habían hecho un nombre en los cómics y trabajó con nuevos autores tales como . Su presupuesto para ficción era bajo, pero de vez en cuando era capaz de encontrar buenas historias de conocidos escritores que se habían rechazado en otros mercados. La circulación continuó disminuyendo y en 1978 Cohen vendió la mitad de su participación en la revista a su socio . White renunció poco después y fue reemplazado por , pero dos años después Bernhard decidió cerrar Fantastic fusionándola con Amazing, cuyas cifras de circulación siempre fueron ligeramente superiores. Fantastic var en fantasy-tidning (senare även science fiction) publicerad i USA mellan 1952 och 1980. Tidningen grundades av Ziff Davis som ett fantasykomplement till science fiction-tidningen Amazing Stories. Fantastic blev snabbt populär och lösnummerförsäljningen ökade snabbt. Efter några år vände dock försäljningssiffrorna kraftigt nedåt och redaktören tvingades att byta ut fantasyinnehållet mot det mer populära science fiction-temat. Bytet orsakade emellertid att redaktören själv förlorade intresse för tidningen, vilket anses ha sänkt dess kvalitet avsevärt. Fantastic adalah sebuah dan Amerika, yang terbit dari 1952 sampai 1980. Majalah tersebut didirikan oleh sebagai penyertaan fantasi dari Amazing Stories. Fantastic era una rivista statunitense di fantasy e fantascienza, in formato digest, pubblicata dal 1952 al 1980. Il titolo è cambiato più volte e spesso è stato dato in modo incoerente tra la copertina, il dorso, l'indice e il colophon. Fantastic was an American digest-size fantasy and science fiction magazine, published from 1952 to 1980. It was founded by the publishing company Ziff Davis as a fantasy companion to Amazing Stories. Early sales were good, and the company quickly decided to switch Amazing from pulp format to digest, and to cease publication of their other science fiction pulp, Fantastic Adventures. Within a few years sales fell, and Howard Browne, the editor, was forced to switch the focus to science fiction rather than fantasy. Browne lost interest in the magazine as a result and the magazine generally ran poor-quality fiction in the mid-1950s, under Browne and his successor, Paul W. Fairman. At the end of the 1950s, Cele Goldsmith took over as editor of both Fantastic and Amazing Stories, and quickly invigorated the magazines, bringing in many new writers and making them, in the words of one science fiction historian, the "best-looking and brightest" magazines in the field. Goldsmith helped to nurture the early careers of writers such as Roger Zelazny and Ursula K. Le Guin, but was unable to increase circulation, and in 1965 the magazines were sold to Sol Cohen, who hired Joseph Wrzos as editor and switched to a reprint-only policy. This was financially successful, but brought Cohen into conflict with the newly formed Science Fiction Writers of America. After a turbulent period at the end of the 1960s, Ted White became editor and the reprints were phased out. White worked hard to make the magazine successful, introducing artwork from artists who had made their names in comics, and working with new authors such as Gordon Eklund. His budget for fiction was low, but he was occasionally able to find good stories from well-known writers that had been rejected by other markets. Circulation continued to decline, however, and in 1978, Cohen sold out his half of the business to his partner, Arthur Bernhard. White resigned shortly afterwards, and was replaced by Elinor Mavor, but within two years Bernhard decided to close down Fantastic, merging it with Amazing Stories, which had always enjoyed a slightly higher circulation.
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