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Statements

Subject Item: dbr:Camera_coverage
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Subject Item: dbr:Carlos_Fuentes
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Subject Item: dbr:Beauty_and_the_Beast_(musical)
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Subject Item: dbr:Pran_(actor)
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Subject Item: dbr:Pride_and_Prejudice_(1995_TV_series)
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Subject Item: n39:_Endgame
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Subject Item: dbr:Production_of_Ben-Hur_(1959_film)
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Subject Item: dbr:Proxemics
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Subject Item: dbr:Puppeteer
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Subject Item: dbr:Rudolph_Cartier
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Subject Item: dbr:Samson_and_Delilah_(1949_film)
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Subject Item: dbr:Scenes_from_a_Marriage
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Subject Item: dbr:Scott_Pilgrim_vs._the_World
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Subject Item: dbr:Ben-Hur_(1959_film)
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Subject Item: dbr:Best_of_Both_Worlds_Tour
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Subject Item: dbr:Bigger_Than_Life
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Subject Item: dbr:Birthright_(Stargate_SG-1)
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Subject Item: dbr:Black_Sunday_(1960_film)
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Subject Item: dbr:Bleed_Like_Me_World_Tour
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Subject Item: dbr:BlueBOB
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Subject Item: dbr:Blue_Is_the_Warmest_Colour
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Subject Item: dbr:Brandon_Lee
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Subject Item: dbr:Dave_Brubeck
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Subject Item: dbr:David_Acer
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Subject Item: dbr:Deep_(2005_film)
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Subject Item: dbr:Dennis_Miller_Live
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Subject Item: dbr:Devil's_Trap
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Subject Item: dbr:Hold_Me_Now_(Thompson_Twins_song)
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Subject Item: dbr:List_of_William_Shakespeare_screen_adaptations
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Subject Item: dbr:Cutscene
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Subject Item: dbr:SOS_(Rihanna_song)
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Subject Item: dbr:Gay_pornography
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Subject Item: dbr:Orpheus_(Stargate_SG-1)
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Subject Item: dbr:1990s_in_film
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Subject Item: dbr:Christiaan_Lindemans
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Subject Item: dbr:Cinema_of_Italy
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rdfs:label: Gros plan (cadrage) Close-up Крупный план Primer plano Γκρο πλαν Close-up 特写 لقطة قريبة Primo piano クローズアップ Великий план (кінематограф) Primer pla Zbliżenie Close-up 클로즈업 Ambilan dekat
rdfs:comment: اللقطة القريبة وهي لقطة المأخوذة للشيء المراد تصويره من وضع قريب، وتبدو عندما تعرض على الشاشة في حجم كبير. وهي بنسبة للأنسان تمثل الرأس أو الوجه أو إلى الكتفين.و يرمز لها عادة بالحرفين (ل. ق). Ambilan dekat dalam fotografi, pembuatan film, produksi televisi dan komik setrip adalah jenis pengambilan gambar yang membingkai orang atau objek secara jelas. Ambilan dekat adalah salah satu pengambilan gambar standar yang sering digunakan bersama ambilan jauh dan menengah (teknik sinematik). Ambilan dekat memperlihatkan objek secara mendetail, tetapi tidak memasukkan skena lebih luas. Bergerak mendekat atau menjauh dalam pengambilan dekat adalah contoh umum pembesaran gambar. Umumnya ambilan dekat memasukkan bagian kepala hingga leher, sehingga memperlihatkan karakter wajah seseorang. 特写是指在电影、电视或摄影中以非常近的距离拍摄人或物体。特写镜头和、长镜头一起构成了标准的拍摄手法。特写能够展现细节，得到强烈清晰的视觉效果，但却不能获得宽阔的视角。电影中，特写镜头一般较短，常由远距离的镜头切入，能在观众的视觉与心理上迅速产生强烈效果。 Με την διεθνή ονομασία «γκρο πλαν» (γαλλ.: gros plan) χαρακτηρίζεται στη φωτογραφική τέχνη ― και ειδικότερα στον κινηματογράφο και τη βιντεοσκόπηση ― η λήψη φωτογραφίας ενός θέματος από πολύ μικρή απόσταση, (κοινώς κοντινό πλάνο), που καλύπτει όλη την οθόνη. «Γκρο πλαν» χρησιμοποιείται επίσης και για κάποια αντικείμενα μιας σκηνής για την ανάδειξη της σπουδαιότητάς τους π.χ. ένα μαχαίρι, ή ένα έγγραφο κ.λπ. ( 다른 뜻에 대해서는 클로즈업 (동음이의) 문서를 참고하십시오.) 클로즈업(Close-up)은 대상물을 화면 가득 촬영하는 것이다. 영화에서는 D. W. 그리피스가 이 기법을 발명했다고 되어있다. A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. Кру́пный план — понятие в кинематографе и на телевидении, обозначающее расположение камеры, при котором большую часть кадра занимает лицо человека или, реже, предмет. В фотографии крупному плану чаще всего соответствует понятие «портрет». Ещё более крупное изображение части лица или небольшого предмета называется «деталь». Крупность, при которой в кадре видны только глаза актёра, иногда называется итальянский план, из-за своей популярности в спагетти-вестернах. Крупный план концентрирует внимание зрителя на конкретном персонаже и его переживаниях. Close-up, ou simplesmente close, em cinema e audiovisual, é um tipo de plano, caracterizado pelo seu enquadramento fechado, mostrando apenas uma parte do objeto ou assunto filmado - em geral o rosto de uma pessoa. Pode ser obtido por uma grande aproximação da câmara em relação ao objeto ou personagem, ou pelo uso de uma lente objetiva com pequeno ângulo de abertura (e portanto grande distância focal). Nei film, nella televisione e nella fotografia, un primo piano è un'inquadratura che stringe fermamente su una persona o un oggetto in particolare. I primi piani vengono spesso impiegati come inserti per arrivare da un'inquadratura lontana a mostrare dei dettagli, come ad esempio le emozioni dei personaggi, o qualche intricato movimento delle loro mani. I close-up sul volto dei personaggi vengono impiegati molto di più in televisione che nei film: sono diffusi particolarmente nelle soap opera. Gli spettacoli televisivi che non usano i close-up sono spesso descritti come programmi che creano una sensazione immediata di distacco emotivo dai personaggi. La tècnica del primer pla o close-up és, en cinema, en televisió, en fotografia en audiovisual, i fins i tot en les tires còmiques, un enquadrament central sobre una persona o sobre un objecte. Això indubtablement permet donar més detalls sobre una part de l'escena, encara que no sobre la totalitat de la mateixa. En cinema i en televisió, aquesta tècnica és generalment aplicada després d'un travelling optique, o sigui després de l'efecte obtingut per una modificació contínua i repetida durant la presa, de la distància focal de l'objectiu. La técnica del primer plano es, en cine, en televisión, en fotografía en audiovisual, e incluso en las tiras cómicas, un encuadre central sobre una persona o sobre un objeto. Ello indudablemente permite dar más detalles sobre una parte de la escena, aunque no sobre la totalidad de la misma. En cine y en televisión, esta técnica es generalmente aplicada luego de un travelling optique, o sea luego del efecto obtenido por una modificación continua y repetida durante la toma, de la distancia focal del objetivo. Zbliżenie lub wielki plan (ang. close up) – jeden z bliskich planów filmowych. Twarz człowieka lub inny obiekt zajmuje większą część kadru. Ukazuje stan psychiki i emocje postaci. Za wynalazcę zbliżenia długo uważano Davida W. Griffitha, który stosował je m.in. w filmach i Narodziny narodu, jednak wcześniej zbliżenie pojawiło się w twórczości , który zastosował je w oraz . クローズアップ（英: Close-up）は、対象物を画面いっぱいに撮影する事。映画においては、イギリスのジョージ・アルバート・スミスが、『おばあさんの虫眼鏡』（1900年）などでクローズアップを用い始め、その後D・W・グリフィスによって確立された。ここでのcloseは形容詞からの派生(クロー"ズ"は「閉める」を意味する動詞)であり、原語を片仮名で書き下すならば「クロースアップ」が適切である。 Великий план або крупний план — поняття в кінематографі і на телебаченні, що позначає розташування камери, при якому більшу частину кадру займає обличчя людини. У фотографії великому плану найчастіше відповідає поняття «портрет». Ще більше зображення частини обличчя або невеликого предмета називається «деталь». Розмір, при якому в кадрі видно тільки очі актора, іноді називається італійський план, через свою популярність у спагетті-вестернах. Великий план концентрує увагу глядача на конкретному персонажі та його переживаннях. Een close-up (dichtbij-opname, detailopname) is een foto- of video-opname waarbij het opgenomen object dicht bij het objectief lijkt te zijn. Vooral in soaps en vaak ook in speelfilms wordt deze techniek toegepast op personen, door het gezicht of het object van zeer dichtbij op te nemen. Dit gebeurt door het inzoomen of door de camera dichtbij te plaatsen. De close-up schept een gevoel van betrokkenheid bij de kijker, in tegenstelling tot een medium-shot of een panoramabeeld, die eerder 'objectief' of overschouwend aandoen. Au cinéma comme en photographie, un gros plan (parfois appelé close-up, terme anglais) est un cadrage qui isole une partie du corps humain (visage, main, pied, etc.) ou un objet (aux dimensions plus ou moins grandes). C'est un cadrage intime, à la valeur esthétisante maximale, qui dévoile les qualités ou les défauts physiques. Mais ce cadrage peut avoir aussi des vertus dynamiques dans une scène d'action, en soulignant un détail dramatique (par exemple une main s'empare d'une arme).
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dbo:abstract: اللقطة القريبة وهي لقطة المأخوذة للشيء المراد تصويره من وضع قريب، وتبدو عندما تعرض على الشاشة في حجم كبير. وهي بنسبة للأنسان تمثل الرأس أو الوجه أو إلى الكتفين.و يرمز لها عادة بالحرفين (ل. ق). Zbliżenie lub wielki plan (ang. close up) – jeden z bliskich planów filmowych. Twarz człowieka lub inny obiekt zajmuje większą część kadru. Ukazuje stan psychiki i emocje postaci. Za wynalazcę zbliżenia długo uważano Davida W. Griffitha, który stosował je m.in. w filmach i Narodziny narodu, jednak wcześniej zbliżenie pojawiło się w twórczości , który zastosował je w oraz . Με την διεθνή ονομασία «γκρο πλαν» (γαλλ.: gros plan) χαρακτηρίζεται στη φωτογραφική τέχνη ― και ειδικότερα στον κινηματογράφο και τη βιντεοσκόπηση ― η λήψη φωτογραφίας ενός θέματος από πολύ μικρή απόσταση, (κοινώς κοντινό πλάνο), που καλύπτει όλη την οθόνη. Η κοντινή αυτή λήψη γίνεται κυρίως για να αναδείξει κάποιο στοιχείο ή λεπτομέρεια που δεν μπορεί να φανεί σε κανονική απόσταση, όπως για παράδειγμα το «γκρο πλαν» του προσώπου ενός ηθοποιού για την ανάδειξη μιας έκφρασης, ή συγκίνησης, ή περισυλλογής κ.λπ., ή ενός ζώου αντίστοιχα, ή κάποια επιμέρους δραστηριότητα των χεριών π.χ. το κλείσιμο ή γύρισμα ενός διακόπτη κ.λπ. «Γκρο πλαν» χρησιμοποιείται επίσης και για κάποια αντικείμενα μιας σκηνής για την ανάδειξη της σπουδαιότητάς τους π.χ. ένα μαχαίρι, ή ένα έγγραφο κ.λπ. Το «γκρο πλαν» έχει ευρύτατη εφαρμογή σε όλα τα οπτικά μέσα αναμετάδοσης, ιδιαίτερα στις ομιλίες των πολιτικών καθώς και σε πάσης φύσεως εικονογραφημένα επιστημονικά και τεχνικά εγχειρίδια π.χ. καταλόγους ορυκτών, μηχανών, συσκευών κ.λπ. Λεπτομερέστερο του γκρο πλαν είναι το λεγόμενο «κλόουζ απ» (αγγλ.: close-up), που για πολλούς θεωρείται συνώνυμο. Η φωτογραφική λήψη αυτού του είδους απαιτεί ιδιαίτερες δυνατότητες της φωτογραφικής μηχανής και συγκεκριμένα του φωτογραφικού φακού, καθώς και προσοχή τόσο στο φωτισμό όσο και τη γωνία λήψης. Ως τέχνη αποτελεί μέρος της μακροφωτογράφησης. Au cinéma comme en photographie, un gros plan (parfois appelé close-up, terme anglais) est un cadrage qui isole une partie du corps humain (visage, main, pied, etc.) ou un objet (aux dimensions plus ou moins grandes). C'est un cadrage intime, à la valeur esthétisante maximale, qui dévoile les qualités ou les défauts physiques. Mais ce cadrage peut avoir aussi des vertus dynamiques dans une scène d'action, en soulignant un détail dramatique (par exemple une main s'empare d'une arme). 特写是指在电影、电视或摄影中以非常近的距离拍摄人或物体。特写镜头和、长镜头一起构成了标准的拍摄手法。特写能够展现细节，得到强烈清晰的视觉效果，但却不能获得宽阔的视角。电影中，特写镜头一般较短，常由远距离的镜头切入，能在观众的视觉与心理上迅速产生强烈效果。 La tècnica del primer pla o close-up és, en cinema, en televisió, en fotografia en audiovisual, i fins i tot en les tires còmiques, un enquadrament central sobre una persona o sobre un objecte. Això indubtablement permet donar més detalls sobre una part de l'escena, encara que no sobre la totalitat de la mateixa. En cinema i en televisió, aquesta tècnica és generalment aplicada després d'un travelling optique, o sigui després de l'efecte obtingut per una modificació contínua i repetida durant la presa, de la distància focal de l'objectiu. Aquesta tècnica es caracteritza pel seu enquadrament tancat, mostrant amb prou feines una part de l'objecte o assumpte filmat, fotografiat o dibuixat, - en molts casos el rostre d'una persona o el cap d'un animal. Aquest plànol generalment s'obté amb gran aproximació de la càmera en relació a l'objecte o personatge enquadrat, o amb ús d'una lent objectiu amb petit angle d'obertura (i per tant gran distància focal). Aquest pla destaca el detall de la imatge i miniaturitza el conjunt de l'escena llevant importància al fons. És molt útil recórrer a enquadraments verticals, ja que els horitzontals son utilitzats per a plànols on es vol mostrar el moviment de les mans. El terme close-up va ser utilitzat per primera vegada en llengua anglesa, en 1913, i és sinònim de primer pla, gran plànol, o plànol tancat. Aquest terme correspon tan al primer pla (rostre tallat per sota de les espatlles), també hi han plànols més acurats anomenats o , aquest plànols només mostren un detall, pot ser la aproximació a una boca, una cigarreta, un dit, etc. A aquest plànol l'atenció del espectador cap al personatge es gairebé total, això amplia l'expressió del intèrpret, i com a conseqüència, augmenta la intensitat del moment. També existeix el , es un apropament encara més pronunciat que els altres, i a ocasions dramàtic. Aquest plànol mostra amb molt més detall la part específica del objecte o de la persona que es vol fotografiar, per exemple pot ser l'enfocament de l'iris de l'ull. Aquest concepte es fàcilment confusible amb el , aquest plànols no tenen res a veure amb la mesura dels objectes fotografiats sinó que té a veure com es poden posar aquests objectes a una composició de la mesura que sigui. Per semblança o extensió, el terme aviat va passar a ser usat a diverses arts visuals, com la fotografia, la pintura, i fins i tot les historietes, mostrant imatges fixes amb bastant detall (en molts casos el rostre humà). Actualment es sol utilitzar al cinema aquest tipus de plànols amb més freqüència, com és el cas de Thelma y Louise de Ridley Scott. Великий план або крупний план — поняття в кінематографі і на телебаченні, що позначає розташування камери, при якому більшу частину кадру займає обличчя людини. У фотографії великому плану найчастіше відповідає поняття «портрет». Ще більше зображення частини обличчя або невеликого предмета називається «деталь». Розмір, при якому в кадрі видно тільки очі актора, іноді називається італійський план, через свою популярність у спагетті-вестернах. Великий план концентрує увагу глядача на конкретному персонажі та його переживаннях. A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. Nei film, nella televisione e nella fotografia, un primo piano è un'inquadratura che stringe fermamente su una persona o un oggetto in particolare. I primi piani vengono spesso impiegati come inserti per arrivare da un'inquadratura lontana a mostrare dei dettagli, come ad esempio le emozioni dei personaggi, o qualche intricato movimento delle loro mani. I close-up sul volto dei personaggi vengono impiegati molto di più in televisione che nei film: sono diffusi particolarmente nelle soap opera. Gli spettacoli televisivi che non usano i close-up sono spesso descritti come programmi che creano una sensazione immediata di distacco emotivo dai personaggi. I primi piani vengono usati anche per far risaltare i personaggi principali: a quelli più importanti infatti viene solitamente fatto un close-up quando vengono presentati, in modo da indicarne la loro importanza. Ai personaggi principali verranno fatti molteplici close-up. C'è uno stereotipo ancora esistente di attori che desiderano un close-up in ogni momento e che contano il numero di close-up che hanno ricevuto. Un esempio di questo stereotipo è fornito dal personaggio di Norma Desmond nel film Viale del tramonto, mentre pronuncia le parole "All right, Mr. DeMille, I'm ready for my close-up" ("Va bene, sig. DeMille, sono pronta per il mio close-up") quando viene arrestata nel finale del film. Lo svantaggio dei close-up è quello di non mostrare le posizioni relative delle persone e degli oggetti: un abuso di questa tecnica può facilmente confondere il pubblico. Talvolta l'invenzione del close-up viene attribuita a David Wark Griffith, ma registi precedenti l'avevano già impiegato, anche se non con lo stesso effetto o con la stessa comprensione delle sue potenzialità. Sergio Leone lanciò una tecnica in cui si usavano close-up estremi che non mostravano niente di più che gli occhi degli attori. Un "head-on shot" presenta delle analogie con un close-up: il primo si ha quando si riprende l'attore "di fronte" dalla faccia e viene usato per mostrare le emozioni o per evidenziare altri dettagli che non si possono notare con inquadrature più larghe. Een close-up (dichtbij-opname, detailopname) is een foto- of video-opname waarbij het opgenomen object dicht bij het objectief lijkt te zijn. Vooral in soaps en vaak ook in speelfilms wordt deze techniek toegepast op personen, door het gezicht of het object van zeer dichtbij op te nemen. Dit gebeurt door het inzoomen of door de camera dichtbij te plaatsen. De close-up schept een gevoel van betrokkenheid bij de kijker, in tegenstelling tot een medium-shot of een panoramabeeld, die eerder 'objectief' of overschouwend aandoen. Er wordt vaak gezegd dat D.W. Griffith de uitvinder is van de close-up, maar het is bekend dat een aantal filmmakers al eerder close-ups maakten. Sergio Leone is de uitvinder van de extreme close-up (een ECU of XCU). Hierbij worden alleen onderdelen zoals ogen en monden maar ook heel kleine voorwerpen in beeld gebracht. Close-up, ou simplesmente close, em cinema e audiovisual, é um tipo de plano, caracterizado pelo seu enquadramento fechado, mostrando apenas uma parte do objeto ou assunto filmado - em geral o rosto de uma pessoa. Pode ser obtido por uma grande aproximação da câmara em relação ao objeto ou personagem, ou pelo uso de uma lente objetiva com pequeno ângulo de abertura (e portanto grande distância focal). Utilizado pela primeira vez, na língua inglesa, em 1913, o termo close-up é sinônimo de primeiro plano, grande plano e plano fechado. Sua origem é o duplo significado da palavra close, que em inglês significa tanto fechar (to close) quanto próximo (close to). Por semelhança, o termo passou a ser usado também em outras artes visuais, como a fotografia, os quadrinhos e até mesmo a pintura, caracterizando imagens fixas com enquadramento fechado, e muito particularmente o rosto humano. Ambilan dekat dalam fotografi, pembuatan film, produksi televisi dan komik setrip adalah jenis pengambilan gambar yang membingkai orang atau objek secara jelas. Ambilan dekat adalah salah satu pengambilan gambar standar yang sering digunakan bersama ambilan jauh dan menengah (teknik sinematik). Ambilan dekat memperlihatkan objek secara mendetail, tetapi tidak memasukkan skena lebih luas. Bergerak mendekat atau menjauh dalam pengambilan dekat adalah contoh umum pembesaran gambar. Umumnya ambilan dekat memasukkan bagian kepala hingga leher, sehingga memperlihatkan karakter wajah seseorang. La técnica del primer plano es, en cine, en televisión, en fotografía en audiovisual, e incluso en las tiras cómicas, un encuadre central sobre una persona o sobre un objeto. Ello indudablemente permite dar más detalles sobre una parte de la escena, aunque no sobre la totalidad de la misma. En cine y en televisión, esta técnica es generalmente aplicada luego de un travelling optique, o sea luego del efecto obtenido por una modificación continua y repetida durante la toma, de la distancia focal del objetivo. Esta técnica se caracteriza por su encuadre cerrado, mostrando apenas una parte del objeto o asunto filmado, fotografiado o dibujado, - en muchos casos el rostro de una persona o la cabeza de un animal. Este plano generalmente se obtiene con gran aproximación de la cámara en relación con el objeto o personaje encuadrado, o con uso de una lente objetivo con pequeño ángulo de apertura (y por tanto gran distancia focal). ( 다른 뜻에 대해서는 클로즈업 (동음이의) 문서를 참고하십시오.) 클로즈업(Close-up)은 대상물을 화면 가득 촬영하는 것이다. 영화에서는 D. W. 그리피스가 이 기법을 발명했다고 되어있다. Кру́пный план — понятие в кинематографе и на телевидении, обозначающее расположение камеры, при котором большую часть кадра занимает лицо человека или, реже, предмет. В фотографии крупному плану чаще всего соответствует понятие «портрет». Ещё более крупное изображение части лица или небольшого предмета называется «деталь». Крупность, при которой в кадре видны только глаза актёра, иногда называется итальянский план, из-за своей популярности в спагетти-вестернах. Крупный план концентрирует внимание зрителя на конкретном персонаже и его переживаниях. クローズアップ（英: Close-up）は、対象物を画面いっぱいに撮影する事。映画においては、イギリスのジョージ・アルバート・スミスが、『おばあさんの虫眼鏡』（1900年）などでクローズアップを用い始め、その後D・W・グリフィスによって確立された。ここでのcloseは形容詞からの派生(クロー"ズ"は「閉める」を意味する動詞)であり、原語を片仮名で書き下すならば「クロースアップ」が適切である。
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