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Hariya (針屋) was one of the four main Edo period publishing houses of the Nagasaki prints (長崎版画, Nagasaki hanga), also known as Nagasaki-e (長崎絵), that depict the port city of Nagasaki, the Dutch and Chinese who frequented it, and other foreign curiosities such as exotic fauna and Dutch and Chinese ships. Hariya was the first of the four leading houses; the others were Toshimaya (豊島屋), Yamatoya (大和屋), and Bunkindō (文錦堂). Three different prints are known from Hariya, with subject matter that relates to the Dutch residents of Dejima and to , the city's so-called "Chinese factory".

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  • Hariya (針屋) was one of the four main Edo period publishing houses of the Nagasaki prints (長崎版画, Nagasaki hanga), also known as Nagasaki-e (長崎絵), that depict the port city of Nagasaki, the Dutch and Chinese who frequented it, and other foreign curiosities such as exotic fauna and Dutch and Chinese ships. Hariya was the first of the four leading houses; the others were Toshimaya (豊島屋), Yamatoya (大和屋), and Bunkindō (文錦堂). Three different prints are known from Hariya, with subject matter that relates to the Dutch residents of Dejima and to , the city's so-called "Chinese factory". (en)
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  • Hariya (針屋) was one of the four main Edo period publishing houses of the Nagasaki prints (長崎版画, Nagasaki hanga), also known as Nagasaki-e (長崎絵), that depict the port city of Nagasaki, the Dutch and Chinese who frequented it, and other foreign curiosities such as exotic fauna and Dutch and Chinese ships. Hariya was the first of the four leading houses; the others were Toshimaya (豊島屋), Yamatoya (大和屋), and Bunkindō (文錦堂). Three different prints are known from Hariya, with subject matter that relates to the Dutch residents of Dejima and to , the city's so-called "Chinese factory". (en)
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  • Hariya (Nagasaki publishing house) (en)
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