dbo:abstract
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- Dumitru Theodor Neculuță (also known as Neculiță and Dumitru a Ciubotăriții; October 3 [O.S. September 20] 1859 – October 17, 1904) was a Romanian poet, socialist activist, and artisan shoemaker. Born to a poor family in Western Moldavia, he was not allowed to pursue his passion for music, and worked from an early age. These circumstances instilled him with a desire to combat the established social order of the Romanian Kingdom, driving him into left-wing politics. His interest in music was replaced with a poetic calling: stylistically, Neculuță followed a tradition upheld by Mihai Eminescu and George Coșbuc, which he infused with the tenets of Marxism and his own experience of acute poverty. He wrote for many decades, but was only published from 1894. In parallel, he established his profile as a "poet-activist" for the Social Democratic Workers' Party and its more radically progressive faction, spending his final years as a co-chair of the România Muncitoare in Bucharest. After his unexpected death at age 45, Neculuță enjoyed a cult following in socialist culture in both the Romanian Kingdom and neighboring Austria-Hungary. He had shared inspiration and themes with George Bacovia, and was a direct influence on Mihail Cruceanu and Cristian Sârbu. During the interwar, he was celebrated by the legal Social Democrats and Socialist Laborites, as well as by the underground Romanian Communist Party; his cultivation sometimes drew suspicion from Romania's right-wing governments. Public gatherings were held at his commemoration date in October, including one in 1924, which ended with a roundup by Romanian Police. Socialist circles upheld Neculuță as a forerunner of "proletarian literature", but was largely regarded as a minor author in more official contexts. This contrast was overturned in the late 1930s, when Neculuță was openly celebrated by the National Renaissance Front; it was also resumed in full after 1948, when the communist regime took over, making Neculuță a posthumous member of the Romanian Academy. The move, as well as his inclusion in literary textbooks, were contested by various regime critics, who regarded them as incoherent or distasteful. The regime itself scaled down such promotion from the 1960s, returning Neculuță to a more modest position in its literary pantheon. The literary community remains divided between those who regard Neculuță as a genuine poet, who was overvalued for political reasons, and those who dismiss him as mediocre and argue that his reputation was entirely fabricated. (en)
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rdfs:comment
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- Dumitru Theodor Neculuță (also known as Neculiță and Dumitru a Ciubotăriții; October 3 [O.S. September 20] 1859 – October 17, 1904) was a Romanian poet, socialist activist, and artisan shoemaker. Born to a poor family in Western Moldavia, he was not allowed to pursue his passion for music, and worked from an early age. These circumstances instilled him with a desire to combat the established social order of the Romanian Kingdom, driving him into left-wing politics. His interest in music was replaced with a poetic calling: stylistically, Neculuță followed a tradition upheld by Mihai Eminescu and George Coșbuc, which he infused with the tenets of Marxism and his own experience of acute poverty. He wrote for many decades, but was only published from 1894. In parallel, he established his profi (en)
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