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Mieczysław Weinberg composed his Requiem, Op. 96, between 1965 and 1967. Like other Soviet Requiem compositions such as Dmitri Kabalevsky's, it does not set to music the Roman Rite liturgy, but secular poems by Mikhail Dudin, Munetoshi Fukugawa, Federico García Lorca, Dmitri Kedrin and Sara Teasdale. The use of anti-war texts links this work to Benjamin Britten's War Requiem, which Weinberg knew well. It consists of the following movements:

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  • El Rèquiem, op. 96, va ser compost per Mieczysław Weinberg entre 1965 i 1967. Igual que altres rèquiems soviètics com el Dmitri Kabalevski, no basa la litúrgia en el ritu romà, sinó en poemes seculars de , , Federico García Lorca, i Sara Teasdale. L'ús de textos contra la guerra vincula aquesta obra amb el de Benjamin Britten, que Weinberg coneixia bé. (ca)
  • Le Requiem opus 96 est un Requiem profane de Mieczyslaw Weinberg. Composé entre 1965 et 1967, il s'appuie sur des textes d'auteurs modernes qui dénoncent la guerre et le militarisme, et ayant « une inclinaison vers l'écologie ». Il fut créé le 21 novembre 2009 par le chœur et l'Orchestre philharmonique royal de Liverpool dirigé par Thomas Sanderling. (fr)
  • Mieczysław Weinberg composed his Requiem, Op. 96, between 1965 and 1967. Like other Soviet Requiem compositions such as Dmitri Kabalevsky's, it does not set to music the Roman Rite liturgy, but secular poems by Mikhail Dudin, Munetoshi Fukugawa, Federico García Lorca, Dmitri Kedrin and Sara Teasdale. The use of anti-war texts links this work to Benjamin Britten's War Requiem, which Weinberg knew well. It consists of the following movements: 1. * Bread and Iron (1. Хлеб и железо Dmitri Kedrin) 2. * And Then... (2. И затем … Federico García Lorca 3. * There will Come Soft Rains (3. Будет ласковый дождь Sara Teasdale) 4. * Hiroshima Five-Line Stanzas (4. Хиросимское пятистишие Munetoshi Fukugawa; revision of Weinberg's cantata op. 92 Hiroshima) 5. * People Walked... (5. Люди шли Federico García Lorca) 6. * Sow the Seed (6. Посейте семя Mikhail Dudin) It was not performed in the composer's lifetime, the premiere only taking place on 21 November 2009 in Liverpool by the Royal Liverpool Philharmonic Orchestra and Chorus, with Thomas Sanderling conducting. The Requiem was published by Peermusic's Hamburg branch in 2007. Their description page (and the NUKAT description) note that the work requires soprano, children's chorus, mixed chorus, and full orchestra. (en)
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  • El Rèquiem, op. 96, va ser compost per Mieczysław Weinberg entre 1965 i 1967. Igual que altres rèquiems soviètics com el Dmitri Kabalevski, no basa la litúrgia en el ritu romà, sinó en poemes seculars de , , Federico García Lorca, i Sara Teasdale. L'ús de textos contra la guerra vincula aquesta obra amb el de Benjamin Britten, que Weinberg coneixia bé. (ca)
  • Le Requiem opus 96 est un Requiem profane de Mieczyslaw Weinberg. Composé entre 1965 et 1967, il s'appuie sur des textes d'auteurs modernes qui dénoncent la guerre et le militarisme, et ayant « une inclinaison vers l'écologie ». Il fut créé le 21 novembre 2009 par le chœur et l'Orchestre philharmonique royal de Liverpool dirigé par Thomas Sanderling. (fr)
  • Mieczysław Weinberg composed his Requiem, Op. 96, between 1965 and 1967. Like other Soviet Requiem compositions such as Dmitri Kabalevsky's, it does not set to music the Roman Rite liturgy, but secular poems by Mikhail Dudin, Munetoshi Fukugawa, Federico García Lorca, Dmitri Kedrin and Sara Teasdale. The use of anti-war texts links this work to Benjamin Britten's War Requiem, which Weinberg knew well. It consists of the following movements: (en)
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  • Rèquiem (Weinberg) (ca)
  • Requiem (Weinberg) (fr)
  • Requiem (Weinberg) (en)
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