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- Portrait of a Lady in a Red Dress is a painting by Dutch artist Gabriël Metsu, created c. 1660-1669. It has been in England since 1828 and in the collection of Polesden Lacey since 1922. The motif of a figure presented in a "niche" follows a style made popular by Metsu's teacher, Gerrit Dou. The central figure is a black woman dressed in a similar red bodice worn by Metsu's wife in a portrait he painted soon after he married her in Enkhuizen in 1658. Like other contemporary Leiden fijnschilders, Metsu has chosen the subject of a niche or window to frame his subject. The popular motif generally includes a curtain for a dramatic effect, and though Metsu painted curtains sparingly, he has chosen to place his subject prominently in front of a closed curtain here. Her portrayal at first glance needs no other supporting commentary, unlike his other "niche" paintings which are adorned with details in the typical "Dou" manner. A closer look reveals an interesting bas-relief under the window, which appears to be a Metsu variation of Francois Duquesnoy's frieze of Children Playing with a Goat. Though its meaning is lost, it shows a clue (along with her dress) that this woman is someone connected to Metsu's circle and was possibly a model for other Leiden painters.
* Portrait of Isabella de Wolff in the same dress, but with a chemise
* Metsu's self-portrait at a window, with a bust by Duquesnoy
* Dou's The Grocer's Shop, with the frieze (en)
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- 2572 (xsd:nonNegativeInteger)
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- Portrait of a Lady in a Red Dress is a painting by Dutch artist Gabriël Metsu, created c. 1660-1669. It has been in England since 1828 and in the collection of Polesden Lacey since 1922. The motif of a figure presented in a "niche" follows a style made popular by Metsu's teacher, Gerrit Dou. The central figure is a black woman dressed in a similar red bodice worn by Metsu's wife in a portrait he painted soon after he married her in Enkhuizen in 1658. Like other contemporary Leiden fijnschilders, Metsu has chosen the subject of a niche or window to frame his subject. The popular motif generally includes a curtain for a dramatic effect, and though Metsu painted curtains sparingly, he has chosen to place his subject prominently in front of a closed curtain here. Her portrayal at first glance (en)
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- Portrait of a Lady in Red (en)
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