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- Els Trios per a piano, Op. 70 són dues obres per a piano, violí i violoncel de Ludwig van Beethoven. Tots dos trios van ser compostos l'any 1808, durant l'estada de Beethoven a la propietat de la comtessa Marie von Erdödy, i ambdós estan dedicats a ella, en agraïment per la seva hospitalitat. Es van publicar el 1809. Aquestes peces són representatives del període estilístic "mitjà" de Beethoven (aproximadament entre 1803 i 1812), i que inclou moltes de les seves obres més famoses. Beethoven va escriure els dos trios per a piano mentre passava l'estiu de 1808 a Heiligenstadt, Viena, on, l'estiu anterior, havia completat la seva Simfonia núm. 5. Va escriure els dos trios immediatament després d'acabar la seva Simfonia pastoral. Aquest va ser un període d'incertesa en la vida de Beethoven, en particular perquè no tenia cap font d'ingressos fiable. Encara que aquests dos trios són numerats com a "núm. 5" i "núm. 6", la numeració dels dotze trios per a piano de Beethoven no està estandarditzada, i en altres fonts documentals les dues obres Op 70. presenten numeracions diferents, si és que hi apareix un número. (ca)
- Opus 70 is a set of two Piano Trios by Ludwig van Beethoven, written for piano, violin, and cello. Both trios were composed during Beethoven's stay at Countess Marie von Erdödy's estate, and both are dedicated to her for her hospitality. They were published in 1809. The first, in D major, known as the Ghost, is one of his best known works in the genre (rivaled only by the Archduke Trio). The D major trio features themes found in the second movement of Beethoven's Symphony No. 2. The All-Music Guide states that "because of its strangely scored and undeniably eerie-sounding slow movement, it was dubbed the 'Ghost' Trio. The name has stuck with the work ever since. The ghostly music may have had its roots in sketches for a Macbeth opera that Beethoven was contemplating at the time." According to Lewis Lockwood, Beethoven's pupil Carl Czerny wrote in 1842 that the slow movement reminded him (Czerny) of the ghost scene at the opening of Shakespeare's Hamlet, and this was the origin of the nickname. James Keller also attributes the nickname to Czerny, adding, "You may discard as erroneous the oft-encountered claim that this movement of the Ghost Trio is a reworking of music Beethoven originally sketched as the Witches Chorus for his Macbeth. These pieces are representative of Beethoven's "Middle" stylistic period, which went from roughly 1803 to 1812, and which included many of his most famous works. Beethoven wrote the two piano trios while spending the summer of 1808 back once again in Heiligenstadt, Vienna, where he had completed his Symphony No. 5 the previous summer. He wrote the two trios immediately after finishing his Sinfonia pastorale, Symphony No. 6. This was a period of uncertainty in Beethoven's life, in particular because he had no dependable source of income at the time. Although these two trios are sometimes numbered as "No. 5" and "No. 6", the numbering of Beethoven's twelve piano trios is not standardized, and in other sources the two Op. 70 trios may be shown as having different numbers, if any. (en)
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- Piano Trio in D major, Op.70 No.1 (en)
- Piano Trio in E-flat major, Op.70 No.2 (en)
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- Piano Trio in D major, Op.70 No.1 (en)
- Piano Trio in E-flat major, Op.70 No.2 (en)
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- Els Trios per a piano, Op. 70 són dues obres per a piano, violí i violoncel de Ludwig van Beethoven. Tots dos trios van ser compostos l'any 1808, durant l'estada de Beethoven a la propietat de la comtessa Marie von Erdödy, i ambdós estan dedicats a ella, en agraïment per la seva hospitalitat. Es van publicar el 1809. Encara que aquests dos trios són numerats com a "núm. 5" i "núm. 6", la numeració dels dotze trios per a piano de Beethoven no està estandarditzada, i en altres fonts documentals les dues obres Op 70. presenten numeracions diferents, si és que hi apareix un número. (ca)
- Opus 70 is a set of two Piano Trios by Ludwig van Beethoven, written for piano, violin, and cello. Both trios were composed during Beethoven's stay at Countess Marie von Erdödy's estate, and both are dedicated to her for her hospitality. They were published in 1809. Although these two trios are sometimes numbered as "No. 5" and "No. 6", the numbering of Beethoven's twelve piano trios is not standardized, and in other sources the two Op. 70 trios may be shown as having different numbers, if any. (en)
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- Trios per a piano, Op. 70 (Beethoven) (ca)
- Piano Trios, Op. 70 (Beethoven) (en)
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