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- Joseph Haydn's Piano Trio No. 38 in D major, Hob. XV:24, was written in 1795, during Haydn's second trip to London, and one of a set of three (H. XV:24–26) dedicated to Haydn's friend, the widow Rebecca Schroeter. According to Robert Philip, this work is unusual compared with other later piano trios in that it is serious in tone throughout, "with almost Beethoven-like earnestness". The style of piano writing, with its rich chords, octaves in the bass and lively elaboration in the right hand, was much influenced by the sonorous English pianos Haydn came to appreciate while in London. The trio is in three movements. 1.
* Allegro 2.
* Andante 3.
* Allegro, ma non dolce The first movement is a large-scale movement full of rhetorically dramatic pauses, changes of mood and unexpected accents. The second is a brief and solemn dance, based around an insistent baroque-style dotted rhythm figure. It leads into the finale without a break. The finale is a grave minuet-like movement with the triple time rhythm cleverly subverted by two-beat phrases and by the interplay of the instruments. The work was published in October 1795 by the English firm of Longman and Broderip as part of a set of three with the opus number (seldom used today) 73. The other two are No. 39 in G major (Hob. XV:25) and No. 40 in F♯ minor, (Hob. XV:26). (en)
- Le Trio pour piano no 38 Hob.XV.24 est un trio pour piano, violon et violoncelle composé en 1795 par Joseph Haydn à l'intention de Rebecca Schroeter, pianiste et amie du compositeur. (fr)
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- 2464 (xsd:nonNegativeInteger)
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- Le Trio pour piano no 38 Hob.XV.24 est un trio pour piano, violon et violoncelle composé en 1795 par Joseph Haydn à l'intention de Rebecca Schroeter, pianiste et amie du compositeur. (fr)
- Joseph Haydn's Piano Trio No. 38 in D major, Hob. XV:24, was written in 1795, during Haydn's second trip to London, and one of a set of three (H. XV:24–26) dedicated to Haydn's friend, the widow Rebecca Schroeter. According to Robert Philip, this work is unusual compared with other later piano trios in that it is serious in tone throughout, "with almost Beethoven-like earnestness". The style of piano writing, with its rich chords, octaves in the bass and lively elaboration in the right hand, was much influenced by the sonorous English pianos Haydn came to appreciate while in London. (en)
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- Trio pour piano no 38 de Joseph Haydn (fr)
- Piano Trio No. 38 (Haydn) (en)
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