About: Petru Manoliu

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Petru Virgil Manoliu (Romanian pronunciation: [ˈpetru virˈd͡ʒil manoˈli.u]; January 28, 1903 – January 29, 1976) was a Romanian novelist, essayist, and newspaper editor. Shaped by philosophical readings, marked by a sense of anxiety and the influence of André Gide, much of his early literary work falls into the category of . These traits are complemented by Manoliu's activities in cultural journalism, alternating between contributions to left-wing papers and support for the far-right and mystical philosophy of Nae Ionescu. By the time of World War II, he had also begun writing historical fiction and plays, penning anticommunist and anti-Soviet articles in the central newspapers.

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  • Petru Virgil Manoliu (Romanian pronunciation: [ˈpetru virˈd͡ʒil manoˈli.u]; January 28, 1903 – January 29, 1976) was a Romanian novelist, essayist, and newspaper editor. Shaped by philosophical readings, marked by a sense of anxiety and the influence of André Gide, much of his early literary work falls into the category of . These traits are complemented by Manoliu's activities in cultural journalism, alternating between contributions to left-wing papers and support for the far-right and mystical philosophy of Nae Ionescu. By the time of World War II, he had also begun writing historical fiction and plays, penning anticommunist and anti-Soviet articles in the central newspapers. Manoliu was persecuted and twice imprisoned by the communist regime in the 1950s, serving time on the building site of the Danube–Black Sea Canal. Banned from publishing upon his return, he focused instead on translation work, and achieved national recognition for his renditions from Thomas Mann. He nevertheless lived a secluded life, marked by poverty, and continued to write works which went unpublished, in particular diaries. (en)
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  • Petru Virgil Manoliu (Romanian pronunciation: [ˈpetru virˈd͡ʒil manoˈli.u]; January 28, 1903 – January 29, 1976) was a Romanian novelist, essayist, and newspaper editor. Shaped by philosophical readings, marked by a sense of anxiety and the influence of André Gide, much of his early literary work falls into the category of . These traits are complemented by Manoliu's activities in cultural journalism, alternating between contributions to left-wing papers and support for the far-right and mystical philosophy of Nae Ionescu. By the time of World War II, he had also begun writing historical fiction and plays, penning anticommunist and anti-Soviet articles in the central newspapers. (en)
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  • Petru Manoliu (en)
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