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- Penguin Eggs is the fifth and final studio album by English folk musician and singer Nic Jones, released by Topic Records in 1980. After establishing himself as a sought after figure on the British folk revival scene, Jones recorded Penguin Eggs with producer Tony Engle; it consists largely of traditional folk songs arranged by Jones, but also includes three contemporary tracks by other writers (Harry Robertson and Paul Metsers). Exemplified throughout the album is Jones' intricate acoustic guitar playing style, characterised by a distinctive, percussive plucking style and use of open tunings. He also plays fiddle on one song, while he is joined on many tracks by Tony Hall on melodeon and Bridget Danby on recorder. Released to critical acclaim, the album was awarded Melody Maker Folk Album of the Year in 1980. It was ultimately Jones' last album, as a car crash in 1982 greatly restricted his ability to perform. In the years after its release, the album gained a cult following and has been hailed as a masterpiece and influence on contemporary folk musicians. AllMusic has described the album as "one of those rare records where not just every song, but each instrumental part is worth hearing". English folk musician Kate Rusby states that Penguin Eggs is her favourite album of all time, while Stewart Lee has ranked it among his favourite albums. It was named the second best folk album of all time in a 2001 BBC poll. (en)
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- Tony Hall (en)
- Bridget Danby (en)
- Bridget Danby and Dave Burland (en)
- Nick Jones ,Tony Hall , Bridget Danby (en)
- Tony Hall , Bridget Danby (en)
- Tony Hall , Bridget Danby and Dave Burland (en)
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- dbr:The_Mother's_Malison
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- Penguin Eggs is the fifth and final studio album by English folk musician and singer Nic Jones, released by Topic Records in 1980. After establishing himself as a sought after figure on the British folk revival scene, Jones recorded Penguin Eggs with producer Tony Engle; it consists largely of traditional folk songs arranged by Jones, but also includes three contemporary tracks by other writers (Harry Robertson and Paul Metsers). Exemplified throughout the album is Jones' intricate acoustic guitar playing style, characterised by a distinctive, percussive plucking style and use of open tunings. He also plays fiddle on one song, while he is joined on many tracks by Tony Hall on melodeon and Bridget Danby on recorder. (en)
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