Kirsten Moana Thompson (born 1964) is an interdisciplinary scholar of American and New Zealand/Pacific cinema and visual culture. Thompson's work in American film has focused on classical American cel animation and the introduction of three strip Technicolor, on contemporary crime films and blockbuster and special effects cinema. Her work on Pacific cinema situates film production by American and Pacific filmmakers in broader cultural and visual contexts. She has also published on American horror film and German cinema.
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