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Cantiones sacrae (Vocal sacred music, literally: Sacred chants), Op. 4, is a collection of forty different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works. The general title Cantiones sacrae was common at the time and was used by many composers, including Palestrina, Byrd and Tallis (1589 and 1591) and Hans Leo Hassler (1591).

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  • Cantiones sacrae (Vocal sacred music, literally: Sacred chants), Op. 4, is a collection of forty different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works. The general title Cantiones sacrae was common at the time and was used by many composers, including Palestrina, Byrd and Tallis (1589 and 1591) and Hans Leo Hassler (1591). Schütz composed the motets and madrigals, based on texts from a 1553 prayerbook Precationes by Andreas Musculus, for four voices (SATB) and basso continuo. Some of the settings form groups of up to five pieces, including the expressive Passion motets, Quid commisisti, SWV 56 to 60. Cantate Domino, SWV 81, is a joyful setting of Psalm 149. The Protestant composer dedicated his work to the Catholic politician Hans Ulrich von Eggenberg. He published it as his Opus quartem. The counterpoint of the Cantiones has been regarded as unmatched in the sacred vocal works of the 17th century. (en)
  • Les Cantiones sacrae (littéralement : Chants sacrés) sont un recueil de quarante courts motets pour quatuor vocal et orgue, composés par Heinrich Schütz et publiés en 1625. Dans le Schütz-Werke-Verzeichnis (SWV), le catalogue des œuvres de Schütz, les Cantiones sacrae sont répertoriées aux numéros 53 à 93. Le contexte de la guerre de Trente Ans, opposant catholiques et protestants, et la ligne politique neutre Jean-Georges Ier de Saxe, protecteur de Schütz, mènent ce dernier à composer ces œuvres sacrées dans un esprit œcuménique et en langue latine, pour la première fois dans l’œuvre de Schütz. Ces motets illustrent le tournant dans le style de la musique sacrée de Schütz, évoluant de la Prima pratica dans le style de Palestrina vers le style madrigalesque italien de la Seconda pratica issu de Monteverdi, qu'il avait adopté depuis son séjour en Italie en 1610. Mais Schütz y imprime son propre style empreint d'un profond mysticisme et de la rigueur allemande de la structure musicale. (fr)
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  • Psalms (en)
  • Song of Solomon (en)
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  • The composer of the collection in 1627 (en)
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  • SWV 53 to 93 (en)
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  • 4 (xsd:integer)
  • 5 (xsd:integer)
  • 6 (xsd:integer)
  • 131 (xsd:integer)
  • 149 (xsd:integer)
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  • Cantiones sacrae, Op.4 (en)
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  • 30 (xsd:integer)
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  • '' (en)
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  • 4 (xsd:integer)
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  • in Freiberg (en)
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  • -3 (xsd:integer)
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  • Bible (en)
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  • 1 (xsd:integer)
  • 2 (xsd:integer)
  • 9 (xsd:integer)
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  • King James (en)
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  • Cantiones sacrae, Op.4 (en)
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  • Cantiones sacrae (Vocal sacred music, literally: Sacred chants), Op. 4, is a collection of forty different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works. The general title Cantiones sacrae was common at the time and was used by many composers, including Palestrina, Byrd and Tallis (1589 and 1591) and Hans Leo Hassler (1591). (en)
  • Les Cantiones sacrae (littéralement : Chants sacrés) sont un recueil de quarante courts motets pour quatuor vocal et orgue, composés par Heinrich Schütz et publiés en 1625. Dans le Schütz-Werke-Verzeichnis (SWV), le catalogue des œuvres de Schütz, les Cantiones sacrae sont répertoriées aux numéros 53 à 93. (fr)
rdfs:label
  • Cantiones sacrae (Schütz) (en)
  • Cantiones sacrae (H. Schütz, 1625) (fr)
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