dbo:abstract
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- Barbara Cooper (born 1949) is an American artist whose practice encompasses abstract sculpture, public and installation art, drawing and set design. She is most known for her sculpture, which emphasizes process, handcraft, and its basis in natural forms and processes of transformation, such as growth, protection and regeneration. Critic Polly Ullrich writes that "Cooper's hand-intensive art is an art of condensation" that takes "the flow of time and growth as a subject"; that quality often leads writers to align Cooper with postminimalism. John Brunetti describes her work as "sinuous, tactile sculptures [that] quietly juxtapose conceptual and formal dichotomies, among them the organic and man-made, the feminine and the masculine, movement and stasis." Cooper has exhibited at the Smithsonian American Art Museum, Museum of Contemporary Art, Chicago (MCA), Hafnarfjördur Centre of Culture and Fine Art (Iceland), and Bellevue Arts Museum, and been commissioned for public art works in cities including Chicago, Toledo, and Providence. Her work has been discussed in diverse publications, among them, Art in America, Arts Magazine, Sculpture, Fiberarts and American Craft, and belongs to public art collections including the Smithsonian Museum, MCA Chicago, and Long Beach Museum of Art. (en)
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rdfs:comment
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- Barbara Cooper (born 1949) is an American artist whose practice encompasses abstract sculpture, public and installation art, drawing and set design. She is most known for her sculpture, which emphasizes process, handcraft, and its basis in natural forms and processes of transformation, such as growth, protection and regeneration. Critic Polly Ullrich writes that "Cooper's hand-intensive art is an art of condensation" that takes "the flow of time and growth as a subject"; that quality often leads writers to align Cooper with postminimalism. John Brunetti describes her work as "sinuous, tactile sculptures [that] quietly juxtapose conceptual and formal dichotomies, among them the organic and man-made, the feminine and the masculine, movement and stasis." (en)
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