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- أرنولد زيمرمان (بالإنجليزية: Arnold Zimmerman) هو نحات أمريكي، ولد في 13 ديسمبر 1954. (ar)
- Arnold Zimmerman (1954-2021), also known as Arnie Zimmerman, was an American sculptor and ceramic artist. His work ranged from monumental to miniature, and abstract to figurative, encompassing totemic vessel forms, tabletop sculpture and figures, murals, and room-size installations. He was part of a multi-decade, 20th-century shift in American ceramics during which artists challenged clay's identification with function and craft, engaging fine-art domains such as emotional expression, social commentary, figuration and narrative. Zimmerman first gained recognition in the 1980s for deeply carved, architectonic sculptures characterized by rough physicality, rhythmic surfaces, gestural presence and Italian Romanesque influences. In the mid-1990s, he shifted to figurative work that critic Donald Kuspit wrote, examined the interaction of finite man and infinite matter, artist and creative work: "There is a sense of futility and folly as well as seemingly senseless idealism and innocence built into Zimmerman's parables of the all-too-human." Zimmerman's art belongs to the public collections of the Metropolitan Museum of Art, Los Angeles County Museum of Art, Smithsonian American Art Museum, and Brooklyn Museum, among others. In 2021, his work appeared in the Metropolitan Museum exhibition, "Shapes From Out of Nowhere." He received fellowships and awards from organizations including the National Endowment for the Arts, Louis Comfort Tiffany Foundation and New York Foundation for the Arts. Zimmerman, who worked out of a Brooklyn, New York studio for most of his career, died in Hudson, New York in 2021. (en)
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- أرنولد زيمرمان (بالإنجليزية: Arnold Zimmerman) هو نحات أمريكي، ولد في 13 ديسمبر 1954. (ar)
- Arnold Zimmerman (1954-2021), also known as Arnie Zimmerman, was an American sculptor and ceramic artist. His work ranged from monumental to miniature, and abstract to figurative, encompassing totemic vessel forms, tabletop sculpture and figures, murals, and room-size installations. He was part of a multi-decade, 20th-century shift in American ceramics during which artists challenged clay's identification with function and craft, engaging fine-art domains such as emotional expression, social commentary, figuration and narrative. Zimmerman first gained recognition in the 1980s for deeply carved, architectonic sculptures characterized by rough physicality, rhythmic surfaces, gestural presence and Italian Romanesque influences. In the mid-1990s, he shifted to figurative work that critic Donal (en)
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