About: Alessandro Araldi

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Alessandro Araldi (c. 1460 – c. 1529) was an Italian painter of the Renaissance, active mainly in Parma. Little is known of his biography. He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of the school of Melozzo da Forlì and of early Venetian Renaissance painters such as Giovanni Bellini and the Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, an

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  • Alessandro Araldi (c. 1460 – c. 1529) was an Italian painter of the Renaissance, active mainly in Parma. Little is known of his biography. He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of the school of Melozzo da Forlì and of early Venetian Renaissance painters such as Giovanni Bellini and the Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern style. (en)
  • Alessandro Araldi (Parma, hacia 1460-Parma, 1528), fue un pintor italiano, uno de los más importantes maestros activos en Parma antes de la aparición de Correggio. (es)
  • Alessandro Araldi (né v. 1460 à Parme, en Émilie et mort v. 1529) est un peintre italien de la haute Renaissance, dont l'œuvre se rattache à l'école de Parme, actif principalement à Parme et Pérouse à la fin du XVe et du début du XVIe siècle. (fr)
  • Alessandro Araldi (Parma, 1460 circa – Parma, 1528) è stato un pittore italiano, tra i maggiori artisti attivi a Parma negli anni che precedettero l'arrivo in città del Correggio. (it)
  • Alessandro Araldi (ca. 1460 – ca. 1529) was een Italiaanse kunstschilder uit de renaissance, voornamelijk actief in Parma. Er is weinig bekend over zijn leven. Zijn werk toont invloeden van vroegrenaissancistische Venetiaanse schilders als Giovanni Bellini en , maar ook Lorenzo Costa uit Ferrara vormde een inspiratiebron. Hij schilderde fresco's in het benedictijner klooster van San Paolo. Tevens schilderde hij twee scènes uit het verhaal over Catharina van Alexandrië voor de abdis Giovanna da Piacenza (1514). (nl)
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  • Alessandro Araldi (Parma, hacia 1460-Parma, 1528), fue un pintor italiano, uno de los más importantes maestros activos en Parma antes de la aparición de Correggio. (es)
  • Alessandro Araldi (né v. 1460 à Parme, en Émilie et mort v. 1529) est un peintre italien de la haute Renaissance, dont l'œuvre se rattache à l'école de Parme, actif principalement à Parme et Pérouse à la fin du XVe et du début du XVIe siècle. (fr)
  • Alessandro Araldi (Parma, 1460 circa – Parma, 1528) è stato un pittore italiano, tra i maggiori artisti attivi a Parma negli anni che precedettero l'arrivo in città del Correggio. (it)
  • Alessandro Araldi (ca. 1460 – ca. 1529) was een Italiaanse kunstschilder uit de renaissance, voornamelijk actief in Parma. Er is weinig bekend over zijn leven. Zijn werk toont invloeden van vroegrenaissancistische Venetiaanse schilders als Giovanni Bellini en , maar ook Lorenzo Costa uit Ferrara vormde een inspiratiebron. Hij schilderde fresco's in het benedictijner klooster van San Paolo. Tevens schilderde hij twee scènes uit het verhaal over Catharina van Alexandrië voor de abdis Giovanna da Piacenza (1514). (nl)
  • Alessandro Araldi (c. 1460 – c. 1529) was an Italian painter of the Renaissance, active mainly in Parma. Little is known of his biography. He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of the school of Melozzo da Forlì and of early Venetian Renaissance painters such as Giovanni Bellini and the Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, an (en)
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  • Alessandro Araldi (en)
  • Alessandro Araldi (es)
  • Alessandro Araldi (fr)
  • Alessandro Araldi (it)
  • Alessandro Araldi (nl)
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