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Statements

Subject Item
dbr:Doña_Rosita_the_Spinster
rdf:type
yago:Abstraction100002137 owl:Thing yago:WikicatSpanishPlays dbo:Play yago:Play107007945 yago:DramaticComposition107007684 yago:WikicatPlaysByFedericoGarcíaLorca yago:Writing106362953 yago:Wikicat1935Plays yago:Communication100033020 yago:Wikicat20th-centuryPlays yago:WrittenCommunication106349220
rdfs:label
Донья Росита, девица, или Язык цветов Doña Rosita la soltera Doña Rosita the Spinster Donna Rosita nubile
rdfs:comment
Doña Rosita the Spinster (Spanish: Doña Rosita la soltera) is a period play by the 20th-century Spanish dramatist Federico García Lorca. It is subtitled "or The Language of the Flowers" and described as "a poem of 1900 Granada, divided into various gardens, with scenes of song and dance". It was written in 1935 and first performed in the same year. The key moment in the play occurs when a young relative addresses Rosita as Doña Rosita. This form of address signals her change of status. «Донья Росита, девица или Язык Цветов» (исп. Doña Rosita la soltera o el lenguaje de las flores) — пьеса в трех действиях Федерико Гарсиа Лорки, написанная в 1935 году. Дата первой постановки пьесы 13 декабря 1935 года труппой Маргариты Ширгу в барселонском театре «Принсипаль». Пьеса стала последней собственной пьесой, увиденной Гарсиа Лоркой, погибшим в 1936 году. Doña Rosita la soltera o el lenguaje de las flores, es una obra teatral escrita en 1935 por el dramaturgo español Federico García Lorca. Es la última obra estrenada en vida, el 13 de diciembre de 1935 con el Principal Palace de Barcelona, con la compañía de Margarita Xirgu. Con ella crea un nuevo ciclo dramático, separándose de las tragedias rurales (Bodas de sangre, Yerma), que continuaría (de haber seguido viviendo) con Los sueños de mi prima Aurelia y Las monjas de Granada. Donna Rosita nubile o Il linguaggio dei fiori (in lingua originale Doña Rosita la soltera o el lenguaje de las flores), noto semplicemente come Donna Rosita nubile, è un dramma in tre atti scritto nel 1935 da Federico García Lorca e rappresentato lo stesso anno al Teatro Principal di Barcellona. Come attrice principale, nel ruolo di Rosita, vi era Margarita Xirgu, già celebre interprete di altre opere lorchiane. Il testo è sottotitolato "Poema granadino del novecientos, dividido en varios jardines con escenas de canto y baile".
dcterms:subject
dbc:1935_plays dbc:Plays_by_Federico_García_Lorca dbc:Plays_set_in_Spain
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12831297
dbo:wikiPageRevisionID
1093007274
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n7:925961d8-7399-4cc8-a446-03e926a483b0 dbpedia-it:Donna_Rosita_nubile dbpedia-ru:Донья_Росита,_девица,_или_Язык_цветов wikidata:Q1987928 n15:uZwU dbpedia-he:דוניה_רוסיטה_הרווקה dbpedia-fy:Doña_Rosita_Is_Frij_Faam_of_De_Taal_fan_de_Blommen dbpedia-tr:Kız_Kurusu_Gül_Hanım freebase:m.02x6s3n dbpedia-es:Doña_Rosita_la_soltera
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dbo:abstract
Donna Rosita nubile o Il linguaggio dei fiori (in lingua originale Doña Rosita la soltera o el lenguaje de las flores), noto semplicemente come Donna Rosita nubile, è un dramma in tre atti scritto nel 1935 da Federico García Lorca e rappresentato lo stesso anno al Teatro Principal di Barcellona. Come attrice principale, nel ruolo di Rosita, vi era Margarita Xirgu, già celebre interprete di altre opere lorchiane. Il testo è sottotitolato "Poema granadino del novecientos, dividido en varios jardines con escenas de canto y baile". Ispirato alla vita della zia Clotilde García Picossi, il dramma è incentrato sull'amore di Donna Rosita per suo cugino che, lasciata la Spagna per occuparsi degli affari di famiglia in Sudamerica, non tornerà mai più per prenderla in sposa come invece aveva promesso. Doña Rosita la soltera o el lenguaje de las flores, es una obra teatral escrita en 1935 por el dramaturgo español Federico García Lorca. Es la última obra estrenada en vida, el 13 de diciembre de 1935 con el Principal Palace de Barcelona, con la compañía de Margarita Xirgu. Con ella crea un nuevo ciclo dramático, separándose de las tragedias rurales (Bodas de sangre, Yerma), que continuaría (de haber seguido viviendo) con Los sueños de mi prima Aurelia y Las monjas de Granada. Doña Rosita the Spinster (Spanish: Doña Rosita la soltera) is a period play by the 20th-century Spanish dramatist Federico García Lorca. It is subtitled "or The Language of the Flowers" and described as "a poem of 1900 Granada, divided into various gardens, with scenes of song and dance". It was written in 1935 and first performed in the same year. "The theme of the play", suggests Federico García Lorca, "is the passage of time" (which Lorca had developed in a different form in his experimental surrealist play When Five Years Pass in 1931). Doña Rosita is a young woman who falls in love with a man who is called to South America to join his parents. He swears to return and Rosita waits, but learns that he has married someone else. Lorca portrays what he called "the grotesque treatment of women" in Spain. The action is set in Granada, Spain in three different years, portraying the bourgeois life of the 1880s and the social modernization and beginning of World War I of the early 1900s. Lorca draws parallels between Doña Rosita's life and these historic periods, beginning with the vitality of her youth, the attainment of maturity, and finally the loss of all hope. The key moment in the play occurs when a young relative addresses Rosita as Doña Rosita. This form of address signals her change of status. «Донья Росита, девица или Язык Цветов» (исп. Doña Rosita la soltera o el lenguaje de las flores) — пьеса в трех действиях Федерико Гарсиа Лорки, написанная в 1935 году. Дата первой постановки пьесы 13 декабря 1935 года труппой Маргариты Ширгу в барселонском театре «Принсипаль». Пьеса стала последней собственной пьесой, увиденной Гарсиа Лоркой, погибшим в 1936 году.
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dbr:Play
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2494
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