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- Natural color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additive color and subtractive color were that an additive color film required a special projector that could project two components of film at the same time, a green record and a red record. But additive color didn't required a special projector, the two pieces of film were chemically formed together and was projected in one strip of film. One of the first movies to use subtractive color was a silent film titled Cupid Angling (1918). In 1932, Walt Disney made the first film to use a red, green and blue color process (Technicolor), Flowers and Trees. Three years later, the first feature length movie to be filmed entirely in 3-color Technicolor was Becky Sharp. (en)
- 천연색(天然色) 또는 내추럴 컬러(natural color)란 1920년대에서 1930년대 초에 걸쳐, 흑백 또는 착색 매체와 대비되는 표현으로서 완전 컬러 매체를 가리킨 표현이다. (ko)
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- 천연색(天然色) 또는 내추럴 컬러(natural color)란 1920년대에서 1930년대 초에 걸쳐, 흑백 또는 착색 매체와 대비되는 표현으로서 완전 컬러 매체를 가리킨 표현이다. (ko)
- Natural color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additiv (en)
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