About: Ludovico Brea

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Ludovico (or Louis) Brea (c. 1450 – c. 1523) was an Italian painter of the Renaissance, active mainly in and near Genoa. Brea was born into a family of coopers in Nice, and later moving to Liguria, he painted numerous altarpieces that displayed both Lombardy and Flemish influences. One of his pupils was Teramo Piaggio. In Liguria, Ludovico's siblings Peter and Antonio Brea also operated as painters, as did Antonio's son, Francisco Brea (of whom details are only known for the period from 1512 to 1555).

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  • Ludovico (or Louis) Brea (c. 1450 – c. 1523) was an Italian painter of the Renaissance, active mainly in and near Genoa. Brea was born into a family of coopers in Nice, and later moving to Liguria, he painted numerous altarpieces that displayed both Lombardy and Flemish influences. One of his pupils was Teramo Piaggio. His earliest definite work is the Mercy between Saint Martino and Catherine of Alexandria, painted for the monastery of Cimiez, near Nice, in 1475; recent historical searches have also suggested his having painted the Madonna of the Confraternity of the Misericordia at Nice in 1465. Other notable works by Brea can be found along all the coast from Monaco to Mentone, from Taggia to Imperia (where the influence of the Lombardy painter Vincenzo Foppa can be seen, and during which time he was in the service of Pope Julius II), and from Savona to Genoa, where he was active from 1483, leaving his work to the Church of the Consolation. In Liguria, Ludovico's siblings Peter and Antonio Brea also operated as painters, as did Antonio's son, Francisco Brea (of whom details are only known for the period from 1512 to 1555). (en)
  • Ludovico (o Louis) Brea (Niza, c. 1450–c. 1523) fue un pintor italiano del Renacimiento, activo principalmente en Génova y el occidente de Liguria. Nacido en una familia de artesanos toneleros de Niza, se inició en la actividad artística en la región occidental de Liguria, especialmente en torno a Taggia donde pintó numerosos retablos para los dominicos que muestran tanto influencias lombardas como flamencas. Fue maestro en Génova de y Antonio Semino. Su primera obra segura es la Piedad entre San Martín y santa Catalina de Alejandría, pintada para el monasterio de Cimiez, cerca de Niza, en 1475. Otras obras notables de Brea se pueden encontrar a lo largo de toda la costa, desde Mónaco a Mentone y de Taggia a Imperia (donde recibió la influencia del pintor lombardo Vincenzo Foppa, en aquel momento al servicio del papa Julio II), así como en Savona y Génova, donde estuvo activo a partir de 1483, dejando muestras de su trabajo en la iglesia de la Consolación. (es)
  • Ludovico Brea (Nizza, 1450 circa – 1522-1525 circa) è stato un pittore italiano rinascimentale, attivo soprattutto nel ponente ligure ed a Genova. (it)
  • Ludovico Bréa eller Louis Brea, född omkring 1450 i Nice, död omkring 1522–1525, var en italiensk målare. Ludovico Brea föddes i en hantverkarfamilj i Nice och flyttade senare till Ligurien. Hans tidigaste fastlagda verk är Den helige Martinos barmhärtighet gentemot Katarina av Alexandria, som målades 1475 för klostret i . Han är främst känd för monumentala religiösa målningar: fresker, altartavlor och polyptyker. En av hans elever var Teramo Piaggio. Han var gift med Antonietta Calholi. Hans söner Peter och Antonio Brea var också målare. (sv)
  • Людовико (Луи) Бреа (итал. Ludovico Brea, фр. Louis Brea; 1450, Ницца, Сардинское королевство — 1523) — ренессансный художник французского происхождения, работы которого в основном сосредоточены в прибрежных городах современных Лигурии (Италия) и восточной части Приморских Альп (Франция). (ru)
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  • Ludovico Brea (Nizza, 1450 circa – 1522-1525 circa) è stato un pittore italiano rinascimentale, attivo soprattutto nel ponente ligure ed a Genova. (it)
  • Ludovico Bréa eller Louis Brea, född omkring 1450 i Nice, död omkring 1522–1525, var en italiensk målare. Ludovico Brea föddes i en hantverkarfamilj i Nice och flyttade senare till Ligurien. Hans tidigaste fastlagda verk är Den helige Martinos barmhärtighet gentemot Katarina av Alexandria, som målades 1475 för klostret i . Han är främst känd för monumentala religiösa målningar: fresker, altartavlor och polyptyker. En av hans elever var Teramo Piaggio. Han var gift med Antonietta Calholi. Hans söner Peter och Antonio Brea var också målare. (sv)
  • Людовико (Луи) Бреа (итал. Ludovico Brea, фр. Louis Brea; 1450, Ницца, Сардинское королевство — 1523) — ренессансный художник французского происхождения, работы которого в основном сосредоточены в прибрежных городах современных Лигурии (Италия) и восточной части Приморских Альп (Франция). (ru)
  • Ludovico (or Louis) Brea (c. 1450 – c. 1523) was an Italian painter of the Renaissance, active mainly in and near Genoa. Brea was born into a family of coopers in Nice, and later moving to Liguria, he painted numerous altarpieces that displayed both Lombardy and Flemish influences. One of his pupils was Teramo Piaggio. In Liguria, Ludovico's siblings Peter and Antonio Brea also operated as painters, as did Antonio's son, Francisco Brea (of whom details are only known for the period from 1512 to 1555). (en)
  • Ludovico (o Louis) Brea (Niza, c. 1450–c. 1523) fue un pintor italiano del Renacimiento, activo principalmente en Génova y el occidente de Liguria. Nacido en una familia de artesanos toneleros de Niza, se inició en la actividad artística en la región occidental de Liguria, especialmente en torno a Taggia donde pintó numerosos retablos para los dominicos que muestran tanto influencias lombardas como flamencas. Fue maestro en Génova de y Antonio Semino. (es)
rdfs:label
  • Ludovico Brea (en)
  • Ludovico Brea (es)
  • Ludovico Brea (fr)
  • Ludovico Brea (it)
  • Бреа, Людовико (ru)
  • Ludovico Brea (sv)
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