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Yemenite Jewish poetry, often referred to as "paraliturgical poetry" because of its religious nature, has been an integral part of Yemenite Jewish culture since time immemorial. The Jews of Yemen have preserved a well-defined singing arrangement which not only includes the very poetic creation itself, but also involves a vocal and dance performance, accompanied in certain villages outside Sana'a by drumming on an empty tin-can (tanakeh) or a copper tray. The Jews of Yemen, maintaining strict adherence to Talmudic and Maimonidean halakha, observed the gezeirah which prohibited playing musical instruments, and "instead of developing the playing of musical instruments, they perfected singing and rhythm." (For the modern Yemenite-Israeli musical phenomenon see Yemenite Jewish music.) This arra

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  • الشعر اليهودي اليمني (ar)
  • Yemenite Jewish poetry (en)
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  • كان الشعر اليهودي اليمني ، الذي يشار إليه غالبًا باسم «الشعر المشابه» بسبب طبيعته الدينية، جزءًا لا يتجزأ من الثقافة اليهودية اليمنية منذ زمن بعيد. لقد احتفظ يهود اليمن بترتيب غنائي واضح المعالم لا يشمل فقط الإبداع الشعري نفسه، بل يشمل أيضًا أداءًا غنائيًا ورقصًا، مصحوبًا في قرى معينة خارج صنعاء بقرع الطبول على تنكة فارغة. أو صينية نحاسية. يهود اليمن، مع التمسك الصارم بالهلخة التلمودية والميمونيدية، لاحظوا الجزيرة التي حرمت العزف على الآلات الموسيقية، و «بدلاً من تطوير العزف على الآلات الموسيقية، أتقنوا الغناء والإيقاع». (للاطلاع على الظاهرة الموسيقية اليمنية الإسرائيلية الحديثة، انظر الموسيقى اليهودية اليمنية.) تم دمج هذا الترتيب في مناحي الحياة المألوفة لدى يهود اليمن. تم تدوين النصوص المستخدمة في الترتيب كتابيًا ثم تم تضمينها لاحقًا في مجموعات منفصلة من الأغاني (الدوان). تنص القيود و (ar)
  • Yemenite Jewish poetry, often referred to as "paraliturgical poetry" because of its religious nature, has been an integral part of Yemenite Jewish culture since time immemorial. The Jews of Yemen have preserved a well-defined singing arrangement which not only includes the very poetic creation itself, but also involves a vocal and dance performance, accompanied in certain villages outside Sana'a by drumming on an empty tin-can (tanakeh) or a copper tray. The Jews of Yemen, maintaining strict adherence to Talmudic and Maimonidean halakha, observed the gezeirah which prohibited playing musical instruments, and "instead of developing the playing of musical instruments, they perfected singing and rhythm." (For the modern Yemenite-Israeli musical phenomenon see Yemenite Jewish music.) This arra (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Yemenite_Diwan.jpg
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