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During the 15th century, ballet was a way to show a person's position in society. Since the early 19th century, the Western world has adopted a view of male ballet dancers, or danseurs as weak, effeminate or homosexual. Through gender expectations and performance, male ballet dancers combat the stereotypes that surround them. Through education and media exposure, the stereotypes about male ballet dancers lead to changes in perception.

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  • Stéréotype sur les danseurs classiques masculins en Occident (fr)
  • Стереотипы о танцорах балета на Западе (ru)
  • Western stereotype of the male ballet dancer (en)
rdfs:comment
  • En Occident, le stéréotype sur le danseur classique masculin remonte au début du XIXe siècle. Ainsi, alors qu'au XVe siècle, le ballet est un moyen de montrer sa position sociale, depuis le début du XIXe siècle, le monde occidental conçoit les danseurs de ballet masculins comme faibles, efféminés ou homosexuels. À travers les attentes et les performances de genre, les danseurs de ballet masculins combattent les stéréotypes qui les entourent. Par l'éducation et à l'exposition médiatique, les stéréotypes sur les danseurs de ballet masculins entraînent des changements de perception. (fr)
  • During the 15th century, ballet was a way to show a person's position in society. Since the early 19th century, the Western world has adopted a view of male ballet dancers, or danseurs as weak, effeminate or homosexual. Through gender expectations and performance, male ballet dancers combat the stereotypes that surround them. Through education and media exposure, the stereotypes about male ballet dancers lead to changes in perception. (en)
  • С начала XIX века на Западе сложилось предвзятое отношение к артистам балета, как к немощным, женоподобным или гомосексуальным мужчинам. (ru)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Arnold_Schwarzenegger_1974.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/%22Ballet_Dancers%22_from_Sentinel,_Shrewsbury.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Boris_Nebyla.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Liam_Mower_Billy_Elliot_5th_Birthday_2010.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Modern_grace,_-or-_the_operatical_finale_to_the_ballet_of_Alonzo_e_Caro.jpg
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  • "Ballet In Western Culture: A History of its Origins and Evolution" New York: Routledge, 2002. (en)
  • "The Male Dancer." London: Routledge, 1995. (en)
  • "Jules Janin: Romantic Critic" Rethinking the Sylph:New Perspectives on the Romantic Ballet. Garafola, Lynn. Hanover: Wesleyan University Press, 1997, p. 197-244. (en)
  • Fisher, Jennifer and Shay, Anthony. "When Men Dance: Choreographing Masculinities Across Borders." New York: Oxford, 2009. (en)
  • "Sexual Orientation and Professional Dance." Archives of Sexual Behavior 26.4 : p. 433-444 (en)
  • "Fear of Men in Tights." Dance Magazine 79.11 : p. 56-59 (en)
  • "Peer Attitudes towards Adolescent Participants in Male- and Female-Oriented Sports." Adolescence 40.158 : p. 273-280 (en)
  • Fisher, Jennifer and Shay, Anthony. "Make It Maverick: Rethinking the "Make It Macho" Strategy for Men in Ballet." Dance Chronicle - Studies in Dance and the Related Arts 30.1 : p. 45-66. (en)
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