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Johann Sebastian Bach composed the church cantata Warum betrübst du dich, mein Herz (Why do you trouble yourself, my heart), BWV 138, in Leipzig for the 15th Sunday after Trinity and first performed it on 5 September 1723. The text by an unknown author includes three stanzas from the hymn of the same name. Its text and melody were formerly attributed to Hans Sachs, but were written by an unknown hymn writer. The cantata has seven movements and is scored for SATB soloists and choir, two oboes d'amore, two violins, viola and basso continuo. The cantata has features of a chorale cantata although it was written a year before Bach's annual cycle of chorale cantatas. Bach used an aria as the base of the Gratias of his Missa in G major.

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  • Warum betrübst du dich, mein Herz, BWV 138 (ca)
  • Warum betrübst du dich, mein Herz (de)
  • Warum betrübst du dich, mein Herz (fr)
  • Warum betrübst du dich, mein Herz, BWV 138 (en)
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  • Warum betrübst du dich, mein Herz?, BWV 138 (Per què, cor meu, t’entristeixes?), és una cantata religiosa de Johann Sebastian Bach per al quinzè diumenge després de la Trinitat, estrenada a Leipzig, el 5 de setembre de 1723. (ca)
  • Warum betrübst du dich, mein Herz (BWV 138) ist eine geistliche Kantate von Johann Sebastian Bach. Er komponierte sie 1723 in Leipzig für den 15. Sonntag nach Trinitatis und führte sie dort am 5. September 1723 zum ersten Mal auf. Die Kantate enthält Elemente einer Choralkantate, entstand jedoch ein Jahr früher als Bachs zweiter Kantatenjahrgang, der aus Choralkantaten besteht. (de)
  • Warum betrübst du dich, mein Herz (Pourquoi te désoles-tu, mon cœur ?) (BWV 138) est une cantate religieuse de Johann Sebastian Bach composée lors de sa première année à Leipzig en 1723. (fr)
  • Johann Sebastian Bach composed the church cantata Warum betrübst du dich, mein Herz (Why do you trouble yourself, my heart), BWV 138, in Leipzig for the 15th Sunday after Trinity and first performed it on 5 September 1723. The text by an unknown author includes three stanzas from the hymn of the same name. Its text and melody were formerly attributed to Hans Sachs, but were written by an unknown hymn writer. The cantata has seven movements and is scored for SATB soloists and choir, two oboes d'amore, two violins, viola and basso continuo. The cantata has features of a chorale cantata although it was written a year before Bach's annual cycle of chorale cantatas. Bach used an aria as the base of the Gratias of his Missa in G major. (en)
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