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Sonorism (Polish: Sonoryzm) is an approach to musical composition associated with a number of notable Polish composers. The scholar Józef Michał Chomiński coined the term "sonoristics" (Polish: sonorystyka) to describe the urge to explore purely sonic phenomena in composition, and from this term derived "sonorism" to describe an avant-garde style in Polish music of the 1960s that focused on timbre. As a movement, sonorism was initiated in the 1950s in the avant-garde of Polish music . Music that emphasises sonorism as a compositional approach tends to focus on specific characteristics and qualities of timbre, texture, articulation, dynamics, and motion in an attempt to create freer form. The style is primarily associated with an experimental musical movement which arose in Poland

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  • Sonorismus (de)
  • Sonoryzm (pl)
  • Sonorism (en)
  • Сонорика (ru)
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  • Sonoryzm – kierunek w muzyce współczesnej, zaliczany do nurtów , typowy przede wszystkim dla muzyki polskiej w latach sześćdziesiątych, często utożsamiany z pojęciem "polskiej szkoły kompozytorskiej". (pl)
  • Соно́рика, соно́рная те́хника (нем. Sonorismus, англ. sonorism; от лат. sonorus — звонкий, звучный) — техника современной музыкальной композиции, оперирующая темброзвучностями как таковыми, сообразно их специфическим имманентным закономерностям. (ru)
  • Sonorismus (von lateinisch sonor Ton, Klang, Geräusch, Getöse) ist ein Terminus, der vor allem in der polnischen Musikwissenschaft benutzt wird und eine geräuschorientierte Stilrichtung in der Neuen Musik beschreibt. Der Begriff ging auf den polnischen Musikwissenschaftler Józef Michał Chomiński zurück, der ihn 1956 erstmals einbrachte und 1961 ausführlich definierte. Der wohl bekannteste Vertreter war der Krakauer Komponist Krzysztof Penderecki, der so stilprägende Werke wie den Threnos für die Opfer von Hiroshima oder De natura sonoris zu seinem Œuvre zählt. Dem Sonorismus zugerechnet wurden u. a. auch die Komponisten Henryk Mikołaj Górecki (Scontri, Genesis), Wojciech Kilar (Riff 62, Générique, Diphtongos) und Witold Szalonek (Les sons, Improvisations sonoristiques). (de)
  • Sonorism (Polish: Sonoryzm) is an approach to musical composition associated with a number of notable Polish composers. The scholar Józef Michał Chomiński coined the term "sonoristics" (Polish: sonorystyka) to describe the urge to explore purely sonic phenomena in composition, and from this term derived "sonorism" to describe an avant-garde style in Polish music of the 1960s that focused on timbre. As a movement, sonorism was initiated in the 1950s in the avant-garde of Polish music . Music that emphasises sonorism as a compositional approach tends to focus on specific characteristics and qualities of timbre, texture, articulation, dynamics, and motion in an attempt to create freer form. The style is primarily associated with an experimental musical movement which arose in Poland (en)
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reference
  • 1950.0 (second)
  • Dziębowska, Elżbieta. 1979. "Koncepcja realnego kształtu dzieła muzycznego" [A Concept of the Actual Shape of the Musical Work]. Muzyka 24, no. 4:5-16. (en)
  • Harley, Maria Anna. 1998. "The Polish School of Sonorism and Its European Context". In Crosscurrents and Counterpoints: Offerings in Honor of Bengt Hambræus at 70, edited by Per F. Broman, Nora Engebretsen, and Bo Alphonce, 62–77. Skrifter från Musikvetenskapliga Avdelningen 51. Göteborg: Göteborgs Universitet. . (en)
  • Witkowska-Zaremba, Elżbieta . 2008. Sonoristic Legacies—Towards New Paradigms in Music Theory, Æsthetics and Composition, with an introduction by Zbigniew Granat. Muzyka: Kwartalnik poświęcony historii i teorii muzyki 53, no. 1; no. 208:1-139. (en)
  • Thomas, Adrian. 2008. Polish Music since Szymanowski. Music in the Twentieth Century 19. Cambridge and New York: Cambridge University Press. . (en)
  • Wójtowicz, Ewa. 2017. "A Phenomenon of String Quartet in the Works of Kraków Composers from 1960s". In Sounds, Societies, Significations: Numanistic Approaches to Music, edited by Rima Povilionienė, 33–46. Cham, Switzerland: Springer International Publishing AG. ; . (en)
  • Mirka, Danuta. 1996. "Some Semiotic Problems of Krzysztof Penderecki's Sonoristic Style". In Musical Semiotics in Growth, edited by Eero Tarasti, Paul Forsell, and Richard Littlefield, 73–82. Acta Semiotica Fennica 4; Indiana Studies in Biblical Literature 4. Imatra and Bloomington: International Semiotics Institute; Indiana University Press. ; . (en)
  • Droba, Krzysztof. 2005. "Sonoryzm polski". In Kompozytorzy polscy 1918–2000: praca zbiorowa. 1: Eseje, edited by Marek Podhajski. Prace Specjalne / Akademia Muzyczna im. Stanislawa Moniuszki w Gdansku 66. Gdańsk and Warsaw: Wydawnictwo Akademii Muzycznej im. S. Moniuszki. . (en)
  • Chomiński, Józef. 1961. "Technika sonorystyczna jako przedmiot systematycznego szkolenia" . Muzyka 6, no. 3:3–10. (en)
  • Granat, Zbigniew. 2009. "Rediscovering 'Sonoristics': A Groundbreaking Theory from the Margins of Musicology". In Music's Intellectual History, edited by Zdravko Blažeković and Barbara Dobbs Mackenzie, 821–33. New York: Répertoire International de Littérature Musicale. . (en)
  • Granat, Zbigniew. 2008. "Sonoristics, Sonorism". Grove Music Online, edited by Deane Root . (en)
  • Malinowski, Władysław. 1957. "Problem sonorystyki w Mitach Karola Szymanowskiego" [The Problem of Sonoristics in Szymanowski’s Myths]. Muzyka 2, no. 4:31–44. (en)
  • Gwizdalanka, Danuta. 2009. Historia muzyki: podrecznik dla szkól muzycznych. Cz. 3, XX wiek. Kraków: Polskie Wydawnictwo Muzyczne SA. . (en)
  • Lindstedt, Iwona. 2006. "On Methods of Analysing Sonoristic Music in the Context of Musical Sonology of Józef M. Chomiński". Musicology Today 3:93–125. (en)
  • Mirka, Danuta. 2003. "Penderecki’s Sonorism Against Serialism". Studies in Penderecki 2 :199–209. (en)
  • Rappoport-Gelfand, Lidia. 1991. Musical Life in Poland: The Postwar Years, 1945–1977, translated from the Russian by Irina Lasoff. Monographs in Psychobiology 10; Monographs on Musicology 10. Amsterdam: OPA; New York, Philadelphia, London, Paris, Montreux, Tokyo, and Melbourne: Gordon and Breach Science Publishers. . (en)
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  • Sonorismus (von lateinisch sonor Ton, Klang, Geräusch, Getöse) ist ein Terminus, der vor allem in der polnischen Musikwissenschaft benutzt wird und eine geräuschorientierte Stilrichtung in der Neuen Musik beschreibt. Der Begriff ging auf den polnischen Musikwissenschaftler Józef Michał Chomiński zurück, der ihn 1956 erstmals einbrachte und 1961 ausführlich definierte. Der wohl bekannteste Vertreter war der Krakauer Komponist Krzysztof Penderecki, der so stilprägende Werke wie den Threnos für die Opfer von Hiroshima oder De natura sonoris zu seinem Œuvre zählt. Dem Sonorismus zugerechnet wurden u. a. auch die Komponisten Henryk Mikołaj Górecki (Scontri, Genesis), Wojciech Kilar (Riff 62, Générique, Diphtongos) und Witold Szalonek (Les sons, Improvisations sonoristiques). Der Sonorismus war in den 1960er und 1970er Jahren die dominanteste Strömung innerhalb der Neuen-Musik-Szene Polens. Die nachfolgende Generation wandte sich teil energisch gegen diese Dominanz, so unter anderem die Generation ’51, um Aleksander Lasoń, Eugeniusz Knapik und Andrzej Krzanowski oder der Minimalist Paweł Szymański. Allerdings verabschiedeten sich auch die ursprünglichen Vertreter des Sonorismus nach und nach von ihren avantgardistischen Konzepten. So wandelte sich z. B. Henryk Mikołaj Górecki zu einem Komponisten, der vor allem sakrale, langsame Musik schreibt. Auch Penderecki änderte seinen Stil, spätestens seit der Komposition seiner umstrittenen 2. Sinfonie (Weihnachtssinfonie). (de)
  • Sonorism (Polish: Sonoryzm) is an approach to musical composition associated with a number of notable Polish composers. The scholar Józef Michał Chomiński coined the term "sonoristics" (Polish: sonorystyka) to describe the urge to explore purely sonic phenomena in composition, and from this term derived "sonorism" to describe an avant-garde style in Polish music of the 1960s that focused on timbre. As a movement, sonorism was initiated in the 1950s in the avant-garde of Polish music . Music that emphasises sonorism as a compositional approach tends to focus on specific characteristics and qualities of timbre, texture, articulation, dynamics, and motion in an attempt to create freer form. The style is primarily associated with an experimental musical movement which arose in Poland in the mid-1950s and flourished through the 1960s. Sonorism emphasizes discovering new types of sounds from traditional instruments, as well as the creation of textures by combining different, often unconventional instrumental sounds in unusual and unique ways. The term sonoristics is used to describe this novel approach, which went beyond merely injecting individual color, quirks, and experimentation. It aimed to establish new structural functions in a composition, such as employing non-functional chords for sonorous effects, and emphasizing the sonic aspect of texts in vocal music. (en)
  • Sonoryzm – kierunek w muzyce współczesnej, zaliczany do nurtów , typowy przede wszystkim dla muzyki polskiej w latach sześćdziesiątych, często utożsamiany z pojęciem "polskiej szkoły kompozytorskiej". (pl)
  • Соно́рика, соно́рная те́хника (нем. Sonorismus, англ. sonorism; от лат. sonorus — звонкий, звучный) — техника современной музыкальной композиции, оперирующая темброзвучностями как таковыми, сообразно их специфическим имманентным закономерностям. (ru)
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