| rdfs:comment
| - Samuel Rowley (mort vers 1633) était un acteur et un dramaturge anglais de la période élisabéthaine. Selon John Payne Collier, il serait le frère du dramaturge William Rowley (fr)
- Samuel Rowley fue un dramaturgo y actor inglés del siglo XVII. Rowley aparece por primera vez en un documento histórico como socio de Philip Henslowe a finales de los años 1590. Parece que al principio era un actor, quizá un partícipe, en los Hombres del lord almirante, que interpretaban en el Teatro La Rosa. Después de 1598, asumió responsabilidades fuera del escenario, ayudando a Henslowe y Edward Alleyn a dirigir los asuntos de la compañía. Siguió, no obstante, actuando, hasta 1617, cuando aparece en las "tramas" de las obras incluyendo Frederick and Basilea (como Heraclius), The Battle of Alcazar (como un embajador), y 1 Tamar Cam. Permaneció con la compañía a través de los patrocinios sucesivos del príncipe Enrique y Federico V, Elector Palatino. (es)
- Samuel Rowley was a 17th-century English dramatist and actor. Rowley first appears in the historical record as an associate of Philip Henslowe in the late 1590s. Initially he appears to have been an actor, perhaps a sharer, in the Admiral's Men, who performed at the Rose Theatre. After 1598, he assumed some non-acting responsibilities, helping Henslowe and Edward Alleyn manage the business affairs of the company. Yet he remained an actor as late as 1617, as he appears in the "plots" for plays including Frederick and Basilea (as Heraclius), The Battle of Alcazar (as an ambassador), and 1 Tamar Cam. He remained with the company through its successive patronage by Prince Henry and the Palsgrave. (en)
- Samuel Rowley foi um dramaturgo e ator inglês do século XVII. Rowley aparece pela primeira vez em um documento histórico como sócio de Philip Henslowe, no final dos anos de 1590. Parece que no princípio era um ator, talvez um partícipe, em The Admiral's Men, que interpretavam no . (pt)
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| - Samuel Rowley fue un dramaturgo y actor inglés del siglo XVII. Rowley aparece por primera vez en un documento histórico como socio de Philip Henslowe a finales de los años 1590. Parece que al principio era un actor, quizá un partícipe, en los Hombres del lord almirante, que interpretaban en el Teatro La Rosa. Después de 1598, asumió responsabilidades fuera del escenario, ayudando a Henslowe y Edward Alleyn a dirigir los asuntos de la compañía. Siguió, no obstante, actuando, hasta 1617, cuando aparece en las "tramas" de las obras incluyendo Frederick and Basilea (como Heraclius), The Battle of Alcazar (como un embajador), y 1 Tamar Cam. Permaneció con la compañía a través de los patrocinios sucesivos del príncipe Enrique y Federico V, Elector Palatino. Como escritor, Rowley perteneció a la multitud de dramaturgos colaboradores que mantuvo a Henslowe y Alleyn abastecidos de nuevas obras. Henslowe le pagó por añadidos a la obra de Christopher Marlowe Doctor Faustus; la tradición, deferente a Marlowe, le ha asignado los toques de humor en la edición de 1616. Escribió un Judas con William Borne (o Bird, o Boyle) y Edward Juby, hoy perdido. Retocó la obra de Thomas Dekker The Noble Soldier (impresa en 1634). También escribió en solitario. Su único trabajo individual conservado en When You See Me You Know Me (1603–5), una historia de Enrique VIII desde la muerte de Jane Seymour hasta la visita de Carlos V. También escribió una obra sobre Ricardo III y dos comedias aparentes, Hard Shift for Husbands y A Match or no Match—ninguna ha sobrevivido. No se sabe segura su relación con William Rowley, autor más famoso que él, pero parece que fue su hermano. (es)
- Samuel Rowley (mort vers 1633) était un acteur et un dramaturge anglais de la période élisabéthaine. Selon John Payne Collier, il serait le frère du dramaturge William Rowley (fr)
- Samuel Rowley was a 17th-century English dramatist and actor. Rowley first appears in the historical record as an associate of Philip Henslowe in the late 1590s. Initially he appears to have been an actor, perhaps a sharer, in the Admiral's Men, who performed at the Rose Theatre. After 1598, he assumed some non-acting responsibilities, helping Henslowe and Edward Alleyn manage the business affairs of the company. Yet he remained an actor as late as 1617, as he appears in the "plots" for plays including Frederick and Basilea (as Heraclius), The Battle of Alcazar (as an ambassador), and 1 Tamar Cam. He remained with the company through its successive patronage by Prince Henry and the Palsgrave. As a writer, Rowley belonged to the crowd of collaborating playwrights who kept Henslowe and Alleyn supplied with new drama. Henslowe paid him for additions to Christopher Marlowe's Doctor Faustus; tradition, deferential to Marlowe, has assigned him the clown's bits in the 1616 edition. He wrote the now-lost Judas with William Borne (or Bird, or Boyle) and Edward Juby. He also wrote alone. His only extant solo work is When You See Me You Know Me (1603–5), a history of Henry VIII from the death of Jane Seymour to the visit of Charles V. He also wrote a play on Richard III and two apparent comedies, Hard Shift for Husbands and A Match or no Match—all three licensed shortly before his death, and none of which has survived. On stylistic grounds, H. D. Sykes assigned him a share in The Famous Victories of Henry V, The Taming of a Shrew, and parts of Robert Greene's Orlando Furioso. These attributions are possible but not widely accepted, as the plays are associated with Queen Elizabeth's Men, a troupe with which Rowley is not otherwise associated. MacD. P. Jackson also credits him with writing Richard II, Part One which others attribute to Shakespeare. The long-uncertain question of his connection to the more-famous William Rowley was perhaps clarified by the discovery of his will in the 1960s: in this document, a brother named William is bequeathed all of Samuel's books. Samuel Rowley died in the parish of St Mary's in Whitechapel, where he had resided for decades. (en)
- Samuel Rowley foi um dramaturgo e ator inglês do século XVII. Rowley aparece pela primeira vez em um documento histórico como sócio de Philip Henslowe, no final dos anos de 1590. Parece que no princípio era um ator, talvez um partícipe, em The Admiral's Men, que interpretavam no . Depois de 1598, assumiu responsabilidades fora de cena, ajudando Henslowe e Edward Alleyn a dirigir os assuntos da companhia. Continuou, não obstante, atuando até 1617, quando aparece nas "tramas" das obras incluindo Frederick e Basilea (como Heraclius), The Battle of Alcazar (como um embaixador), e 1 Tamar Cam. Permaneceu com a companhia através dos patrocínios sucessivos do príncipe Henrique e Frederico V, Eleitor Palatino. (pt)
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