• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Pratidwandi     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsDirectedBySatyajitRay, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatBengali-languageFilmsyago:WikicatBlack-and-whiteFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatIndianFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1970Filmsyago:WikicatFilmsAboutNaxalismyago:WikicatFilmsBasedOnNovelsyago:WikicatFilmsDirectedBySatyajitRay New Facet based on Instances of this Class

Pratidwandi (English: The Adversary, Siddharta and the City) is a 1970 Indian Bengali drama film written and directed by Satyajit Ray based on the novel by Sunil Gangopadhyay. It is the first part of the Calcutta Trilogy. Pratidwandi tells the story of Siddharta, an educated middle-class man caught up in the turmoil of social unrest. Corruption and unemployment are rampant, and Siddhartha cannot align himself with either his revolutionary activist brother or his career-oriented sister. The film is known for experimenting with techniques such as photo-negative flashbacks.