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Pâte-sur-pâte is a French term meaning "paste on paste". It is a method of porcelain decoration in which a relief design is created on an unfired, unglazed body, usually with a coloured body, by applying successive layers of (usually) white porcelain slip (liquid clay) with a brush. Once the main shape is built up, it is carved away to give fine detail, before the piece is fired. The work is very painstaking and may take weeks of adding extra layers and allowing them to harden before the next is applied.

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  • Pâte-sur-pâte (fr)
  • Pâte-sur-pâte (en)
  • Pâte-sur-pâte (pt)
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  • La technique du pâte-sur-pâte, aussi appelée pâte rapportée, est utilisée pour la facture de porcelaine. Elle consiste à décorer une pièce colorée cuite au préalable avec de la barbotine blanche appliquée en couches successives, et modelée pour créer un dessin en relief. Après cuisson, l´effet est semblable à celui d´un camée, avec en plus des effets de transparence. (fr)
  • Pâte-sur-pâte is a French term meaning "paste on paste". It is a method of porcelain decoration in which a relief design is created on an unfired, unglazed body, usually with a coloured body, by applying successive layers of (usually) white porcelain slip (liquid clay) with a brush. Once the main shape is built up, it is carved away to give fine detail, before the piece is fired. The work is very painstaking and may take weeks of adding extra layers and allowing them to harden before the next is applied. (en)
  • Pâte-sur-pâte é um termo francês que define o método de decoração em porcelana, em que é criado um desenho em relevo na peça ainda não cozida totalmente, não polida, geralmente com base já colorida e depois, utilizando um pincel, aplicação de sucessivas camadas de porcelana, geralmente branca. Como a forma principal da base já foi definida, ela é coberta para fornecer os detalhes finos, antes da peça ser queimada. É um processo muito trabalhoso, que pode levar semanas para aplicar as camadas sucessivas e permitir que se solidifiquem antes da próxima ser aplicada. (pt)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Bistr_chainik_sadko.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pair_of_Vases,_view_1,_Marc-Louis-Emmanuel_Solon,_Minton_factory,_England,_1880,_porcelain,_polychromy,_gilding,_bronze_bases_-_Mount_Holyoke_College_Art_Museum_-_DSC04599.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pair_of_Vases-Hollins-Minton-BMA.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Plaque_with_Tree_Spirits_LACMA_AC1995.98.2.1-.2.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pâte_sur_pâte_Malerei_auf_Seladon-Fond-1210b.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Ruslan_ludmila_kofeynik_detal_1000.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Vase_(England),_1871-1875_(CH_18633979-2).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Vase_à_couvercle_avec_deux_puttis_en_pâte-sur-pâte.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Zierteller_KPM_KGM_W-1979-13.jpg
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  • Pâte-sur-pâte is a French term meaning "paste on paste". It is a method of porcelain decoration in which a relief design is created on an unfired, unglazed body, usually with a coloured body, by applying successive layers of (usually) white porcelain slip (liquid clay) with a brush. Once the main shape is built up, it is carved away to give fine detail, before the piece is fired. The work is very painstaking and may take weeks of adding extra layers and allowing them to harden before the next is applied. The usual colour scheme is a white relief on a contrasting coloured background, which in England was often Parian ware. The effect is somewhat similar to other types of relief decoration, in particular sprigging. However, unlike Jasperware, for example, a mould is not normally used, and the ceramic artist is able to achieve translucency. The method also gives results resembling cameos in stone or cameo glass. The development of pâte-sur-pâte dates back to 1850 in France, and an accident that occurred at the Manufacture nationale de Sèvres. The company was trying to reproduce a decorative technique from a Chinese vase, but misinterpreting the vase, the experiment took them along a different path from the Chinese potter. They perfected what became known as pâte-sur-pâte. Marc-Louis Solon took the style to England, and others to Germany and Austria. The period within 15 years either side of 1900 was the heyday of the technique. Many pieces made in the State, formerly Imperial Porcelain Factory in Leningrad after World War II are said to use it, but are perhaps sprigged, then hand-finished. designed many, mostly using the classic Jasperware "Wedgwood blue" and white. (en)
  • La technique du pâte-sur-pâte, aussi appelée pâte rapportée, est utilisée pour la facture de porcelaine. Elle consiste à décorer une pièce colorée cuite au préalable avec de la barbotine blanche appliquée en couches successives, et modelée pour créer un dessin en relief. Après cuisson, l´effet est semblable à celui d´un camée, avec en plus des effets de transparence. (fr)
  • Pâte-sur-pâte é um termo francês que define o método de decoração em porcelana, em que é criado um desenho em relevo na peça ainda não cozida totalmente, não polida, geralmente com base já colorida e depois, utilizando um pincel, aplicação de sucessivas camadas de porcelana, geralmente branca. Como a forma principal da base já foi definida, ela é coberta para fornecer os detalhes finos, antes da peça ser queimada. É um processo muito trabalhoso, que pode levar semanas para aplicar as camadas sucessivas e permitir que se solidifiquem antes da próxima ser aplicada. O esquema de cores usual é um relevo branco sobre um fundo de cor contrastante. O efeito de translucidez é semelhante ao do mármore de Paros e os resultados lembram camafeus em pedra ou em vidro. (pt)
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