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About: Marie-Thérèse Reboul     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat19th-centuryFrenchPainters, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensArtistHumanAnimalanimaleukaryotespeciesschema:Personyago:WikicatWomenPaintersyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:WikicatFrenchWomenPaintersyago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Whole100003553yago:Wikicat18th-centuryFrenchPaintersyago:Wikicat19th-centuryFrenchPainters New Facet based on Instances of this Class

Marie-Thérèse Reboul (26 February 1735—4 January 1806), commonly called Madame Vien, was a French painter and engraver of natural history subjects, still lifes, and flowers. In 1757, Marie-Thérèse Reboul married the painter Joseph-Marie Vien, who was nineteen years older. Nineteenth-century sources state that she was taught by her husband, but Joseph-Marie Vien's autobiography does not mention it. She may have been a student of Madeleine Françoise Basseporte. Prior to her marriage, Reboul-Vien engraved specimens for Sénégal: Coquillages (1757) by the French naturalist Michel Adanson and Dissertation sur le papyrus (1758) by the French antiquarian Anne Claude de Caylus.