The Kyrie in F major, K. 33, is a sacred composition for choir and strings by a ten-year-old Wolfgang Amadeus Mozart, dated June 12, 1766. It was written while the composer was in Paris with his family, with the intent to promote his image as a child prodigy. During his stay in Paris, Mozart was also able to perform concerts at the court of Louis XV due to the influence of the German writer Friedrich Melchior von Grimm.
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| - Kyrie en fa mayor (Mozart) (es)
- Kyrie K 33 (it)
- Kyrie en fa majeur K. 33 de Mozart (fr)
- Kyrie in F major, K. 33 (en)
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| - El Kyrie en fa mayor, K. 33, conocido como París, es una composición sacra para coro y cuerdas escrita por Wolfgang Amadeus Mozart el 12 de junio de 1766, cuando tenía solo diez años de edad. (es)
- Paris(
Pour les articles homonymes, voir K33. ) Le Kyrie en fa majeur, K. 33, connu sous le nom de « Paris », est une composition sacrée pour chœur et cordes écrite par Wolfgang Amadeus Mozart le 12 juin 1766, quand il avait seulement dix ans. (fr)
- The Kyrie in F major, K. 33, is a sacred composition for choir and strings by a ten-year-old Wolfgang Amadeus Mozart, dated June 12, 1766. It was written while the composer was in Paris with his family, with the intent to promote his image as a child prodigy. During his stay in Paris, Mozart was also able to perform concerts at the court of Louis XV due to the influence of the German writer Friedrich Melchior von Grimm. (en)
- Il Kyrie in fa maggiore K 33 è una composizione sacra per coro ed archi di Wolfgang Amadeus Mozart, datata 12 giugno 1766, mentre il compositore si trovava a Parigi con la famiglia, con l'intento di promuovere la sua figura di "enfant prodige". Durante questo (lungo) soggiorno, Mozart esegue concerti anche alla corte di Luigi XV (soprattutto grazie all'influenza del letterato tedesco Friedrich Melchior von Grimm)".. (it)
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| - Kyrie in F major, K.33 (en)
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| - Kyrie in F major, K.33 (en)
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| - El Kyrie en fa mayor, K. 33, conocido como París, es una composición sacra para coro y cuerdas escrita por Wolfgang Amadeus Mozart el 12 de junio de 1766, cuando tenía solo diez años de edad. (es)
- The Kyrie in F major, K. 33, is a sacred composition for choir and strings by a ten-year-old Wolfgang Amadeus Mozart, dated June 12, 1766. It was written while the composer was in Paris with his family, with the intent to promote his image as a child prodigy. The piece shows the influence of Johann Schobert and French church music. It is based upon a French song. The piece is about nine minutes long. The manuscript shows that Mozart's father edited the piece. In the piece, the alto voice is supported by the first violin, the soprano by the second, the viola reinforces the tenor and occasionally the alto. At times, the first violin unites with the canto, in order that the leading highest part may stand out more clearly. The support of the alto voice by the highest stringed instrument, mostly in the higher octave, makes the alto stand out clearly in the harmony against the soprano. During his stay in Paris, Mozart was also able to perform concerts at the court of Louis XV due to the influence of the German writer Friedrich Melchior von Grimm. (en)
- Paris(
Pour les articles homonymes, voir K33. ) Le Kyrie en fa majeur, K. 33, connu sous le nom de « Paris », est une composition sacrée pour chœur et cordes écrite par Wolfgang Amadeus Mozart le 12 juin 1766, quand il avait seulement dix ans. (fr)
- Il Kyrie in fa maggiore K 33 è una composizione sacra per coro ed archi di Wolfgang Amadeus Mozart, datata 12 giugno 1766, mentre il compositore si trovava a Parigi con la famiglia, con l'intento di promuovere la sua figura di "enfant prodige". Durante questo (lungo) soggiorno, Mozart esegue concerti anche alla corte di Luigi XV (soprattutto grazie all'influenza del letterato tedesco Friedrich Melchior von Grimm)".. In questo precoce corale "accompagnato" si può notare l'influenza del compositore tedesco Johann Schobert, conosciuto appunto nel soggiorno parigino (sempre grazie all'aiuto di Grimm, anche se sono innegabilmente evidenti le tracce dello stile mozartiano, benché questa composizione sia solitamente considerata un esercizio scolastico composto "nella morfologia ormai predominante [...], quella del cosiddetto "stile misto" di tipo concertato e di ascendenza secentesca". (it)
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