• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Kitty Fisher     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEnglishCourtesans, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatBritishPeopleanimaleukaryotespeciesschema:Personyago:WikicatWomenyago:WikicatRoyalMistressesyago:Adult109605289yago:Assistant109815790yago:CausalAgent100007347yago:Concubine109952393yago:DomesticPartner110024362yago:Female109619168yago:LivingThing100004258yago:Lover109622745yago:Mistress110323752yago:Model110324560yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:Woman110787470yago:Worker109632518yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:WikicatEnglishArtists'Modelsyago:WikicatEnglishCourtesans New Facet based on Instances of this Class

Catherine Maria Fischer (1 June 1741 – 10 March 1767), known as Kitty Fisher, was a prominent British courtesan. From her teenage years onward, Fisher developed a carefully molded public image, which was enhanced by acknowledgement from Sir Joshua Reynolds and other artists. By emphasizing Fisher's beauty, audacity, and charm, portraits of her, along with newspaper and magazine articles promoted her reputation, prompting spectators to view her with awe. She was one of the world's first celebrities who was not famous for being an actress, musician, or member of the royalty, but simply for being famous. Her life exemplifies the emergence of mass media publishing and fame in an era when capitalism, commercialism, global markets, and rising emphasis on public opinion were transforming England.