About: Jerusalem: The Emanation of the Giant Albion

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Jerusalem, subtitled The Emanation of the Giant Albion (1804–1820, with additions made even later), is the last, longest and greatest in scope of the prophetic books written and illustrated by the English poet, artist and engraver William Blake. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake's lifetime and the book, like all of Blake's prophetic works, was all but ignored by his contemporaries.

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rdf:type	Thing
rdfs:label	Jerusalem: The Emanation of the Giant Albion (en) エルサレム (ブレイクの預言書) (ja) Иерусалим (поэма) (ru) 耶路撒冷 (布莱克) (zh)
rdfs:comment	『エルサレム』（Jerusalem）は、ウィリアム・ブレイクが1804年に完成した、叙事詩と彩色印刷した装画からなる複合芸術作品。100枚の図版から構成され、彼の預言書群のなかで完成に至ったものとしては最大の規模である。日本語訳は『ブレイク全著作』に収められている。表題ページには「エルサレム　巨人の流出　1804年　W・ブレイク印刷　サウス・モウルトン通り」（Jerusalem Emanation of The Giant Albion 1804 Printed by W. Blake Sth Molton St）と彫られている。 (ja) «Иерусалим» (полное название — «Иерусалим, Эманация Гиганта Альбиона»; англ. Jerusalem The Emanation of the Giant Albion; 1804—1820, с более поздними добавлениями) — последняя и самая значительная из пророческих книг, написанных, проиллюстрированных, награвированных и отпечатанных английским поэтом, художником и гравёром Уильямом Блейком. Стихотворение Блейка «Иерусалим», широко известное также как гимн «Новый Иерусалим» с музыкой сэра Хьюберта Парри, прямого отношения к этой поэме не имеет, но является частью предисловия Блейка к его поэме «Мильтон». (ru) Jerusalem, subtitled The Emanation of the Giant Albion (1804–1820, with additions made even later), is the last, longest and greatest in scope of the prophetic books written and illustrated by the English poet, artist and engraver William Blake. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake's lifetime and the book, like all of Blake's prophetic works, was all but ignored by his contemporaries. (en)
foaf:depiction
dcterms:subject	Poetry by William Blake 1820 books 1820 poems 1820 in England William Blake's mythology Culture of Jerusalem Artists' books Art by William Blake Poetry books
Wikipage page ID	2535734 (xsd:integer)
Wikipage revision ID	1107843359 (xsd:integer)
Link from a Wikipage to another Wikipage	Enion Enitharmon Poetry by William Blake Milton: A Poem in Two Books William Blake's prophetic books Connecticut Urthona Georges Lentz Great Britain 1820 books 1820 poems 1820 in England Emanationism Symbol British Museum Ahania William Blake's mythology Western world William Blake Garden of Eden Culture of Jerusalem And did those feet in ancient time Artists' books Fitzwilliam Museum Golgonooza Psyche (psychology) Israel Art by William Blake Albion (Blake) Poetry books Jerusalem Cobar Sound Chapel Illuminated printing Hubert Parry The William Blake Archive New Haven Yale Center for British Art Los (Blake) Vala, or The Four Zoas Vala (Blake) Luvah Urizen Tharmas William Blake's mythology
Link from a Wikipage to an external page	http://www.blakearchive.org/exist/blake/archive/work.xq%3Fworkid=jerusalem&java=no
sameAs	Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion Jerusalem: The Emanation of the Giant Albion
dbp:wikiPageUsesTemplate	dbt:William_Blake dbt:' dbt:Authority_control dbt:Blockquote dbt:Commons_category-inline dbt:Italic_title dbt:Librivox_book dbt:Reflist dbt:Short_description dbt:Use_dmy_dates dbt:Wikisource
thumbnail	wiki-commons:Special:FilePath/Jerusalem_copy_e_plate_2.jpeg?width=300
author	William Blake (en)
title	Jerusalem The Emanation of the Giant Albion (en)
has abstract	Jerusalem, subtitled The Emanation of the Giant Albion (1804–1820, with additions made even later), is the last, longest and greatest in scope of the prophetic books written and illustrated by the English poet, artist and engraver William Blake. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake's lifetime and the book, like all of Blake's prophetic works, was all but ignored by his contemporaries. The lyric to the famous hymn Jerusalem (text also by Blake, with music by Sir Hubert Parry) is not connected to this poem. It is in fact taken from the preface to another of Blake's "prophetic books", Milton. (en)

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