Jōkei (定慶) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. Aside from his artwork, Jōkei left little record of his life, so sorting out the details of his biography is difficult. The fact that two men by that name were working in Nara in the 13th century only complicates matters.
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| - Jōkei (fr)
- Jōkei (sculptor) (en)
- 定慶 (ja)
- 定庆 (zh)
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| - Jōkei (定慶), également nommé Jōkei I ou dai busshi Jōkei (littéralement le « grand busshi Jōkei ») était un sculpteur bouddhique membre de l’école Kei, actif à la fin du XIIe siècle et au début du XIIIe siècle. Ses statues de deux Niō et de Yuima au Kōfuku-ji sont classés trésor national du Japon. (fr)
- 定慶（じょうけい、大仏師法師定慶、だいぶっしほうしじょうけい、生没年不詳）は、12世紀後半の慶派仏師。作風から康慶の弟子という説が有力である。彼の名は文献上には現れず、僧綱位にもついた形跡はなく、その活動が興福寺内に限定されていることから、興福寺専属の仏師だったと想像される。作品は康慶の作風の延長上にある高い写実表現を持ち、運慶にも匹敵する定慶の高い実力がうかがわれる。 (ja)
- 定庆（1184年－1212年），日本庆派雕刻家，运庆门徒，其事迹简略。他的作品主要表现出受到中国南宋时期雕刻影响的现实主义的风格。 (zh)
- Jōkei (定慶) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. Aside from his artwork, Jōkei left little record of his life, so sorting out the details of his biography is difficult. The fact that two men by that name were working in Nara in the 13th century only complicates matters. (en)
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| - Jōkei (定慶) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. Aside from his artwork, Jōkei left little record of his life, so sorting out the details of his biography is difficult. The fact that two men by that name were working in Nara in the 13th century only complicates matters. Jōkei probably began his career as a disciple of Kōkei, the organizer of the Kei school of sculpture, or of Unkei. In fact, Jōkei may even have been Kōkei's son, though others call him the son of Unkei. In this capacity, he sculpted works for the reconstruction of the temples Kōfuku-ji and Tōdai-ji in Nara. Jōkei followed the lead of Unkei and others in the Kei school in his pursuit of realism. An early example of this is his Guardian King (Niō), carved sometime in the 1190s. The figure stands beside another by Unkei at the main gateway in front of the Kōfuku-ji. Jōkei's Niō is nude to the waist, exposing a tense musculature. The veins in the neck and head are engorged, only heightening the figure's expression of rage. The pose is action-ortiented, as if the king is in the midst of a fight. The figures of Yuima (Sanskrit: Vimalakirti) and Monju (Sanskrit: Manjushri) in the East of Kōfuku-ji also show Jōkei's interpretation of the Kei aesthetic. The debate between these two men had been the subject of earlier Japanese sculpture, but Jōkei's depiction is different and subject to interpretation. Some see his Yuima as strong and healthy, while others view the figure as aged and ill in keeping with his description in the . The work also indicates that Jōkei was familiar with the Buddhist sculpture of Song China. His Yuima sits on a pedestal, which is decorated with an elaborately carved lion. The sculpture's high wooden backing, carved to look as if it is covered in cloth, is another Chinese element. An inscription inside the chest portion of the work says that Jōkei worked on it in 1196 for 53 days. It lists , possibly his son, as the artist who did the coloration. (en)
- Jōkei (定慶), également nommé Jōkei I ou dai busshi Jōkei (littéralement le « grand busshi Jōkei ») était un sculpteur bouddhique membre de l’école Kei, actif à la fin du XIIe siècle et au début du XIIIe siècle. Ses statues de deux Niō et de Yuima au Kōfuku-ji sont classés trésor national du Japon. (fr)
- 定慶（じょうけい、大仏師法師定慶、だいぶっしほうしじょうけい、生没年不詳）は、12世紀後半の慶派仏師。作風から康慶の弟子という説が有力である。彼の名は文献上には現れず、僧綱位にもついた形跡はなく、その活動が興福寺内に限定されていることから、興福寺専属の仏師だったと想像される。作品は康慶の作風の延長上にある高い写実表現を持ち、運慶にも匹敵する定慶の高い実力がうかがわれる。 (ja)
- 定庆（1184年－1212年），日本庆派雕刻家，运庆门徒，其事迹简略。他的作品主要表现出受到中国南宋时期雕刻影响的现实主义的风格。 (zh)
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