Gino De Dominicis (Ancona, 1947 – Rome, 29 November 1998) was an Italian artist. Controversial protagonist of Italian art after the Second World War, he used various techniques and defined himself as a painter, sculptor, philosopher and architect. His work tends to become independent of both fashions and neo-avant-garde groups. Therefore, it cannot be framed in a specific artistic current: neither in Arte Povera, nor in the Transavanguardia, nor in the conceptual art, which rejected. His first show was at Rome's Galleria L'Attico in 1969.
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| - Gino De Dominicis (de)
- Gino De Dominicis (en)
- Gino De Dominicis (it)
- Gino De Dominicis (fr)
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| - Gino De Dominicis (* 1947 in Ancona, Italien; † 29. November 1998 in Rom) war ein umstrittener und mystifizierter Vertreter der italienischen Kunst der 1960er bis 1980er Jahre. Er trat als Maler, Bildhauer, Philosoph und Architekt auf. Seine Kunst hat Anklänge der Arte Povera, der Transavantgarde und gehört auch zur Konzeptkunst, lässt sich aber in ihrer vollständigen Unabhängigkeit tatsächlich kaum einer Bewegung oder Gruppe zuordnen. (de)
- Gino De Dominicis (né le 1er avril 1947 à Ancône, en Italie ; mort le 29 novembre 1998 à Rome), est un représentant de l'art italien qui, des 1960 aux années 1980, a été très contesté et traité de mystificateur[Par qui ?]. À la fois peintre, sculpteur, philosophe et architecte, son art rappelle l’Arte Povera, la trans-avant-garde et appartient aussi à l'art conceptuel, mais du fait de son indépendance complète on ne peut cependant le classer réellement dans aucun mouvement ni aucun groupe. (fr)
- Gino De Dominicis (Ancona, 1947 – Rome, 29 November 1998) was an Italian artist. Controversial protagonist of Italian art after the Second World War, he used various techniques and defined himself as a painter, sculptor, philosopher and architect. His work tends to become independent of both fashions and neo-avant-garde groups. Therefore, it cannot be framed in a specific artistic current: neither in Arte Povera, nor in the Transavanguardia, nor in the conceptual art, which rejected. His first show was at Rome's Galleria L'Attico in 1969. (en)
- Gino De Dominicis (Ancona, 1º aprile 1947 – Roma, 29 novembre 1998) è stato un artista italiano. Controverso protagonista dell'arte italiana del secondo dopoguerra, ha utilizzato diverse tecniche e si è definito pittore, scultore, filosofo e architetto. Il suo lavoro tende a rendersi indipendente sia dalle mode che dai gruppi della neoavanguardia. Dunque, non è inquadrabile in una precisa corrente artistica: né nell'Arte Povera, né nella Transavanguardia, né nell'Arte Concettuale, che respinse irridendola. (it)
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| - Gino De Dominicis (* 1947 in Ancona, Italien; † 29. November 1998 in Rom) war ein umstrittener und mystifizierter Vertreter der italienischen Kunst der 1960er bis 1980er Jahre. Er trat als Maler, Bildhauer, Philosoph und Architekt auf. Seine Kunst hat Anklänge der Arte Povera, der Transavantgarde und gehört auch zur Konzeptkunst, lässt sich aber in ihrer vollständigen Unabhängigkeit tatsächlich kaum einer Bewegung oder Gruppe zuordnen. (de)
- Gino De Dominicis (Ancona, 1947 – Rome, 29 November 1998) was an Italian artist. Controversial protagonist of Italian art after the Second World War, he used various techniques and defined himself as a painter, sculptor, philosopher and architect. His work tends to become independent of both fashions and neo-avant-garde groups. Therefore, it cannot be framed in a specific artistic current: neither in Arte Povera, nor in the Transavanguardia, nor in the conceptual art, which rejected. He surrounded himself with an aura of mystery and unavailability, savoring both exhibitions and public appearances. His reputation developed as much out of an absence as from a presence: he avoided the press and refused to have any of his works reproduced photographically. His first show was at Rome's Galleria L'Attico in 1969. In 1970, he published his Letter on Immortality, a theoretical enunciation of his research, focussing on the theme of time and the conquest of physical immortality, on the subtle confine between visible and invisible. In November 1970 De Dominicis presented at Franco Toselli Gallery in Milan a series of works as the ball, the stone and the invisible cylinder, but also the radioactive object, two identical jars and a cat with a tag announcing the postulate of the "Second Immortality Solution". (en)
- Gino De Dominicis (né le 1er avril 1947 à Ancône, en Italie ; mort le 29 novembre 1998 à Rome), est un représentant de l'art italien qui, des 1960 aux années 1980, a été très contesté et traité de mystificateur[Par qui ?]. À la fois peintre, sculpteur, philosophe et architecte, son art rappelle l’Arte Povera, la trans-avant-garde et appartient aussi à l'art conceptuel, mais du fait de son indépendance complète on ne peut cependant le classer réellement dans aucun mouvement ni aucun groupe. (fr)
- Gino De Dominicis (Ancona, 1º aprile 1947 – Roma, 29 novembre 1998) è stato un artista italiano. Controverso protagonista dell'arte italiana del secondo dopoguerra, ha utilizzato diverse tecniche e si è definito pittore, scultore, filosofo e architetto. Il suo lavoro tende a rendersi indipendente sia dalle mode che dai gruppi della neoavanguardia. Dunque, non è inquadrabile in una precisa corrente artistica: né nell'Arte Povera, né nella Transavanguardia, né nell'Arte Concettuale, che respinse irridendola. Volendo sottrarre il più possibile la sua opera all'omologazione del mondo dell'arte contemporanea, si è circondato di un alone di mistero e di irreperibilità, centellinando sia mostre che apparizioni pubbliche e osteggiando la pubblicazione di cataloghi o libri sulla sua produzione, non riconoscendo alla fotografia valore documentario o pubblicitario. (it)
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