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Frederick Sommer (September 7, 1905 – January 23, 1999), was an artist born in Angri, Italy and raised in Brazil. He earned a M.A. degree in Landscape Architecture (1927) from Cornell University where he met Frances Elizabeth Watson (1904–1999) whom he married in 1928; they had no children. The Sommers moved to Tucson, Arizona in 1931 and then Prescott, Arizona in 1935. Sommer became a naturalized citizen of the United States on November 18, 1939. Bruce Silverstein Gallery is the New York representative of the Frederick & Frances Sommer Foundation.

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  • Frederick Sommer (en)
  • フレデリック・ソマー (ja)
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  • フレデリック・ソマー（Frederick Sommer、1905年9月7日 - 1999年1月23日）は、アメリカ合衆国の写真家、美術家。 イタリアに生まれのちアメリカに移住した。 初期の作品として、ニワトリの死骸の顔から首にかけての一部を生のまま板に貼り付け、それを撮影した写真作品があるが、それは、単なる残酷さ、グロテスクさ、嫌悪を感じさせるだけではなく、それ以外の奇妙な感覚をわれわれに与える。やせ細って、折り重なるように倒れている家畜の骨の写真やほとんど土と化しているようなウサギの死骸の写真も、同様の感覚を喚起する。「死」に対する人間が持つ根源的な感覚であると思われる。 写真では、他に多重露光したマックス・エルンストの写真も有名である。 (ja)
  • Frederick Sommer (September 7, 1905 – January 23, 1999), was an artist born in Angri, Italy and raised in Brazil. He earned a M.A. degree in Landscape Architecture (1927) from Cornell University where he met Frances Elizabeth Watson (1904–1999) whom he married in 1928; they had no children. The Sommers moved to Tucson, Arizona in 1931 and then Prescott, Arizona in 1935. Sommer became a naturalized citizen of the United States on November 18, 1939. Bruce Silverstein Gallery is the New York representative of the Frederick & Frances Sommer Foundation. (en)
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  • Frederick Sommer (September 7, 1905 – January 23, 1999), was an artist born in Angri, Italy and raised in Brazil. He earned a M.A. degree in Landscape Architecture (1927) from Cornell University where he met Frances Elizabeth Watson (1904–1999) whom he married in 1928; they had no children. The Sommers moved to Tucson, Arizona in 1931 and then Prescott, Arizona in 1935. Sommer became a naturalized citizen of the United States on November 18, 1939. Considered a master photographer, Sommer first experimented with photography in 1931 after being diagnosed with tuberculosis the year prior. Early works on paper (starting in 1931) include watercolors, and evolve to pen-and-ink or brush plus drawings of visually composed musical score. Concurrent to the works on paper, Sommer started to seriously explore the artistic possibilities of photography in 1938 when he acquired an 8×10 Century Universal Camera, eventually encompassing the genres of still life (chicken parts and assemblage), horizonless landscapes, jarred subjects, cut-paper, cliché-verre negatives and nudes. According to art critic Robert C. Morgan, Sommer's "most extravagant, subtle, majestic, and impressive photographs—comparable in many ways to the views of Yosemite Valley’s El Capitan and Half Dome by Ansel Adams—were Sommer’s seemingly infinite desert landscapes, some of which he referred to as 'constellations.'" The last artistic body of work Sommer produced (1989–1999) was collage based largely on anatomical illustrations. Frederick Sommer had significant artistic relationships with Edward Weston, Max Ernst, Aaron Siskind, Richard Nickel, Minor White, and others. His archive (of negatives and correspondence) was part of founding the Center for Creative Photography in 1975 along with Ansel Adams, Harry Callahan, Wynn Bullock, and Aaron Siskind. He taught briefly at Prescott College during the late 60s and substituted for Harry Callahan at IIT Institute of Design in 1957–1958 and later at the Rhode Island School of Design. Bruce Silverstein Gallery is the New York representative of the Frederick & Frances Sommer Foundation. (en)
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