• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Double Suicide     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsDirectedByMasahiroShinoda, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatJapanese-languageFilmsyago:WikicatJapaneseFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1960sRomanticDramaFilmsyago:Wikicat1969Filmsyago:WikicatFilmsAboutSuicideyago:WikicatFilmsBasedOnPlaysyago:WikicatFilmsDirectedByMasahiroShinoda New Facet based on Instances of this Class

Double Suicide (心中天網島, Shinjū Ten no Amijima) is a 1969 film directed by Masahiro Shinoda. It is based on the 1721 play The Love Suicides at Amijima by Monzaemon Chikamatsu. This play is often performed with puppets. In the film, the story is performed with live actors but makes use of Japanese theatrical traditions such as the kuroko (stagehands dressed entirely in black) who invisibly interact with the actors, and the set is non-realist. The kuroko prepare for a modern-day presentation of a puppet play while a voice-over, presumably the director, calls on the telephone to find a location for the penultimate scene of the lovers' suicide. Soon, human actors substitute for the puppets, and the action proceeds in a naturalistic fashion, until from time to time the kuroko intervene to accompl