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About: Avdo Međedović     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Whole100003553, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensAuthorHumanAnimalyago:WikicatBosniakPeopleyago:WikicatBosniakPoetsanimaleukaryotespeciesschema:Personyago:WikicatOralEpicPoetsyago:WikicatPeopleFromBijeloPoljeyago:CausalAgent100007347yago:Communicator109610660yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:Poet110444194yago:WikicatYugoslavPoetsyago:Writer110794014yago:YagoLegalActoryago:YagoLegalActorGeowriteryago:Whole100003553 New Facet based on Instances of this Class

Avdo Međedović (Albanian: Avdullah Ferizi) (c. 1875 – 1955) was a guslar (gusle player and oral poet) from Sandžak, modern-day Montenegro. He was the most versatile and skillful performer of all those encountered by Milman Parry and Albert Lord during their research on the oral epic tradition of Bosnia and Herzegovina and Montenegro in the 1930s. At Parry's request, Avdo sang songs he already knew and some songs he heard in front of Parry, convincing him that someone Homer-like could produce a poem so long. Avdo dictated, over five days, a version of the well-known theme The Wedding of Meho Smailagić that was 12,323 lines long, saying on the fifth day to Nikola (Parry's assistant on the journey) that he knew even longer songs. On another occasion, he sang over several days an epic of 13,33