Alexandre Arrechea (born 1970) is a Cuban visual artist. His work involves concepts of power and its network of hierarchies, surveillance, control, prohibitions, and subjection. For twelve years he was a member of the art collective Los Carpinteros, until he left the group in July 2003 to continue his career as a solo artist. His public art The spectator's participation in the work adds to his contemplation. The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century. The eye of power watches everything and everyone, and everyone watches everyone else and themselves.
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| - Alexandre Arrechea (en)
- Alexandre Arrechea (es)
- Alexandre Arrechea (fr)
- 알렉산드레 아레체아 (ko)
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| - Alexandre Arrechea est né en 1970 à Trinidad (Cuba). Il commence sa carrière solo en 2003, après avoir fait partie pendant 12 ans du collectif d’art Los Carpinteros (les menuisiers). Considéré comme artiste pluridisciplinaire, Alexandre Arrechea travaille sur des sujets variés, et est connu pour avoir donné naissance à de nombreux projets tels que Ciudad Transportable (2000), El Jardin de la Desconfianza (2003-2005) ou encore Perpetual Free Entrance (2006). (fr)
- 알렉산드레 아레체아(스페인어: Alexandre Arrechea, 1970년 4월 1일 ~ )는 쿠바의 예술가이다. 쿠바 출신 젊은 예술가 그룸 로스카르핀테로스의 창립 멤버이다. (ko)
- Alexandre Arrechea (born 1970) is a Cuban visual artist. His work involves concepts of power and its network of hierarchies, surveillance, control, prohibitions, and subjection. For twelve years he was a member of the art collective Los Carpinteros, until he left the group in July 2003 to continue his career as a solo artist. His public art The spectator's participation in the work adds to his contemplation. The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century. The eye of power watches everything and everyone, and everyone watches everyone else and themselves. (en)
- Alexandre Arrechea (Trinidad, Cuba, 1970) Se graduó de la " (ISA)" en La Habana en 1994. Durante doce años fue miembro del colectivo artístico , hasta que abandonó el grupo en julio de 2003 para continuar su carrera como artista solista. Su arte público implica los conceptos de poder y de su red de jerarquías, la vigilancia, control, prohibiciones y sometimiento. El espectador de la participación en el trabajo añade a su contemplación. El trabajo surge de las acciones humanas y reacciones en la cara de las versiones contemporáneas del mundo ya descrito por Jeremy Bentham en el siglo XVIII. El ojo del poder relojes de todo y todos, y todos los relojes de todos los demás y de ellos mismos.La calidad de la interdisciplinario Alexandre Arrechea del trabajo revela un profundo interés en la expl (es)
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| - Alexandre Arrechea (born 1970) is a Cuban visual artist. His work involves concepts of power and its network of hierarchies, surveillance, control, prohibitions, and subjection. For twelve years he was a member of the art collective Los Carpinteros, until he left the group in July 2003 to continue his career as a solo artist. His public art The spectator's participation in the work adds to his contemplation. The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century. The eye of power watches everything and everyone, and everyone watches everyone else and themselves. The interdisciplinary quality of Arrechea's work reveals a profound interest in the exploration of both public and domestic spaces. This quest has led him to produce several monumental projects like “Ciudad Transportable” (2000), “The Garden of Mistrust” (2003-2005) and “Perpetual Free Entrance” (2006). Arrechea has been represented by the Casado Santapau Gallery in Madrid since 2006. (en)
- Alexandre Arrechea (Trinidad, Cuba, 1970) Se graduó de la " (ISA)" en La Habana en 1994. Durante doce años fue miembro del colectivo artístico , hasta que abandonó el grupo en julio de 2003 para continuar su carrera como artista solista. Su arte público implica los conceptos de poder y de su red de jerarquías, la vigilancia, control, prohibiciones y sometimiento. El espectador de la participación en el trabajo añade a su contemplación. El trabajo surge de las acciones humanas y reacciones en la cara de las versiones contemporáneas del mundo ya descrito por Jeremy Bentham en el siglo XVIII. El ojo del poder relojes de todo y todos, y todos los relojes de todos los demás y de ellos mismos.La calidad de la interdisciplinario Alexandre Arrechea del trabajo revela un profundo interés en la exploración de ambos públicos y espacios domésticos. Esta búsqueda le ha llevado a producir varios proyectos monumentales como “” (2000), “” (2003-2005) and “” (2006). (es)
- Alexandre Arrechea est né en 1970 à Trinidad (Cuba). Il commence sa carrière solo en 2003, après avoir fait partie pendant 12 ans du collectif d’art Los Carpinteros (les menuisiers). Considéré comme artiste pluridisciplinaire, Alexandre Arrechea travaille sur des sujets variés, et est connu pour avoir donné naissance à de nombreux projets tels que Ciudad Transportable (2000), El Jardin de la Desconfianza (2003-2005) ou encore Perpetual Free Entrance (2006). (fr)
- 알렉산드레 아레체아(스페인어: Alexandre Arrechea, 1970년 4월 1일 ~ )는 쿠바의 예술가이다. 쿠바 출신 젊은 예술가 그룸 로스카르핀테로스의 창립 멤버이다. (ko)
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