The Hiroshima Panels (原爆の図, Genbaku no zu) are a series of fifteen painted folding panels by the collaborative husband and wife artists Maruki Iri and Maruki Toshi (fr) completed over a span of thirty-two years (1950–1982). The Panels depict the consequences of the atomic bombings of Hiroshima and Nagasaki, as well as other nuclear disasters of the 20th century. Each panel stands 1.8 metres x 7.2 metres. The panels also depict the accident of the Daigo Fukuryu Maru on the Bikini Atoll in 1954 which the Marukis believed showed the threat of a nuclear bomb even during peace time.
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| - لوحات هيروشيما (ar)
- The Hiroshima Panels (en)
- 原爆之圖 (zh)
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| - لوحات هيروشيما هي مجموعة من 15 لوحة رسمها الفنان ماروكي إيرا وزوجته ماروكي توشي في الفترة من 1950 وحتى 1982. تصف اللوحات أحداث إلقاء القنبلتين النوويتين على هيروشيما وناغاساكي، مع كل لوحة كتب رساميها أبيات من الشعر تصف اللوحات وتعبر عنها. (ar)
- The Hiroshima Panels (原爆の図, Genbaku no zu) are a series of fifteen painted folding panels by the collaborative husband and wife artists Maruki Iri and Maruki Toshi (fr) completed over a span of thirty-two years (1950–1982). The Panels depict the consequences of the atomic bombings of Hiroshima and Nagasaki, as well as other nuclear disasters of the 20th century. Each panel stands 1.8 metres x 7.2 metres. The panels also depict the accident of the Daigo Fukuryu Maru on the Bikini Atoll in 1954 which the Marukis believed showed the threat of a nuclear bomb even during peace time. (en)
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| - لوحات هيروشيما هي مجموعة من 15 لوحة رسمها الفنان ماروكي إيرا وزوجته ماروكي توشي في الفترة من 1950 وحتى 1982. تصف اللوحات أحداث إلقاء القنبلتين النوويتين على هيروشيما وناغاساكي، مع كل لوحة كتب رساميها أبيات من الشعر تصف اللوحات وتعبر عنها. تصف اللوحات ردة فعل الناس تجاه العنف و من القصف النووي، تفحم الأجساد، أطفال تهيم تأكلها النيران الذية، موت عشاق مخذولين، وأمهات تحتضن أطفالها. تتضمن اللوحات صورا عن الجميع، ليس فقط اليابانيين ولكن كذلك أسرى الحرب الأمريكيين والكوريين المقيمين بهيروشيما، الذين تأثروا أيضاً بالتفجيرات النووية.حاول الشاعر وزوجته تمثيل جميع المتضررين وذلك لجعل قضيتهم عالمية، والتأكيد على أهمية الجنس البشري بأسره، استخدام الحبر الأبيض والأسود كما في الرسومات اليابانية التقليدية، بإغراق اللوحات بالحبر، وتمميزها بالحبر الأحمر الذي مثل الجحيم النووي، والذي يُبرز بشكل لافت للأنظار أنها ضد الحرب وضد الأسلحة النووية. (ar)
- The Hiroshima Panels (原爆の図, Genbaku no zu) are a series of fifteen painted folding panels by the collaborative husband and wife artists Maruki Iri and Maruki Toshi (fr) completed over a span of thirty-two years (1950–1982). The Panels depict the consequences of the atomic bombings of Hiroshima and Nagasaki, as well as other nuclear disasters of the 20th century. Each panel stands 1.8 metres x 7.2 metres. The paintings depict people wrenched by the violence and chaos of the atomic bombing; some wandering aimlessly, their bodies charred, while others are still being consumed by atomic fire. Dying lovers embrace and mothers cradling their dead children. Each painting portrays the inhumanity, brutality, and hopelessness of war, and the cruelty of bombing civilians. The people depicted in the paintings are not only Japanese citizens but also Korean residents and American POWs who suffered or died in the atomic bombings as well. The Marukis tried to represent all those affected so as to make their cause an international one and, above that, one of universal importance to all human beings. The use of traditional Japanese black and white ink drawings, sumi-e, contrasted with the red of atomic fire produce an effect that is strikingly anti-war and anti-nuclear. The panels also depict the accident of the Daigo Fukuryu Maru on the Bikini Atoll in 1954 which the Marukis believed showed the threat of a nuclear bomb even during peace time. (en)
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