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"Sae Taryeong" (Korean: 새타령; Hanja: 새打令; lit. Bird song; IPA pronunciation: [sɛː.tʰaː.ɾjŋ]) is a representative folk song (minyo) of the Jeolla-namdo region of Korea, that describes the sounds and physical descriptions of a variety of birds. The song uses onomatopoeia to describe bird calls from the parrot to the crane. The song was composed by Kim Sam-jin (Korean: 김삼진; Hanja: 金三鎭; MR: Kim Samchin), and the song first attained popularity after it was published in the pansori repertory Jeokbyeokga by Yi Dong-baek (Korean: 이동백). The song follows the Jungjungmori Jangdan beat (Korean: 중중모리 장단), which is also used in pansori and sanjo. The melodic pattern that the song follows is yukjabaegitori, which is a collection of four pitches with gestures (sikimsae), which consists of a vibrating note

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rdf:type
rdfs:label
  • 새타령 (ko)
  • Sae Taryeong (en)
rdfs:comment
  • 새타령은 전라도 민요의 하나로, 온갖 새의 모습이나 울음소리를 묘사한 중중모리 장단의 민요이다. 한자로 비조가(飛鳥歌)라고도 한다. (ko)
  • "Sae Taryeong" (Korean: 새타령; Hanja: 새打令; lit. Bird song; IPA pronunciation: [sɛː.tʰaː.ɾjŋ]) is a representative folk song (minyo) of the Jeolla-namdo region of Korea, that describes the sounds and physical descriptions of a variety of birds. The song uses onomatopoeia to describe bird calls from the parrot to the crane. The song was composed by Kim Sam-jin (Korean: 김삼진; Hanja: 金三鎭; MR: Kim Samchin), and the song first attained popularity after it was published in the pansori repertory Jeokbyeokga by Yi Dong-baek (Korean: 이동백). The song follows the Jungjungmori Jangdan beat (Korean: 중중모리 장단), which is also used in pansori and sanjo. The melodic pattern that the song follows is yukjabaegitori, which is a collection of four pitches with gestures (sikimsae), which consists of a vibrating note (en)
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hanja
  • 金三鎭 (en)
  • 飛鳥歌 (en)
  • 새打令 (en)
mr
  • Saet'aryŏng (en)
  • Kim Samchin (en)
description
  • For KO subtitles press CC (en)
filename
  • Sae taryung.wav (en)
hangul
  • 새타령 (en)
  • 김삼진 (en)
  • 비조가 (en)
  • 이동백 (en)
  • 중중모리 장단 (en)
RR
  • Saetaryeong (en)
title
  • Saetaryeong (en)
has abstract
  • "Sae Taryeong" (Korean: 새타령; Hanja: 새打令; lit. Bird song; IPA pronunciation: [sɛː.tʰaː.ɾjŋ]) is a representative folk song (minyo) of the Jeolla-namdo region of Korea, that describes the sounds and physical descriptions of a variety of birds. The song uses onomatopoeia to describe bird calls from the parrot to the crane. The song was composed by Kim Sam-jin (Korean: 김삼진; Hanja: 金三鎭; MR: Kim Samchin), and the song first attained popularity after it was published in the pansori repertory Jeokbyeokga by Yi Dong-baek (Korean: 이동백). The song follows the Jungjungmori Jangdan beat (Korean: 중중모리 장단), which is also used in pansori and sanjo. The melodic pattern that the song follows is yukjabaegitori, which is a collection of four pitches with gestures (sikimsae), which consists of a vibrating note (tteoneunum), a note with no vibrato (cheong), appoggiatura (kkeokneunnum), and a note that goes upward in pitch while vibrating (eotcheong). An alternate hanja name for the song is "Bijoga" (Korean: 비조가; Hanja: 飛鳥歌). (en)
  • 새타령은 전라도 민요의 하나로, 온갖 새의 모습이나 울음소리를 묘사한 중중모리 장단의 민요이다. 한자로 비조가(飛鳥歌)라고도 한다. (ko)
koreanipa
  • sɛː.tʰaː.ɾjŋ (en)
lit
  • Bird song (en)
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