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“Heyrati” (Azerbaijani: Heyratı) – is one of the rhythmic mughams of Azerbaijan. It’s performed at a key of “C rast” of “Mahur-hindi” branch. Its time signature is – 4/4. It has a vital and heroic character. Musical performance like an introduction is executed after each vocal part. Mugham was used in “Leyli and Majnun” opera by Uzeyir Hajibeyov. Signal calls of Azerbaijani radio were based on the beginning notes of this mugham.

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  • Heyrati (en)
  • Эйраты (ru)
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  • “Heyrati” (Azerbaijani: Heyratı) – is one of the rhythmic mughams of Azerbaijan. It’s performed at a key of “C rast” of “Mahur-hindi” branch. Its time signature is – 4/4. It has a vital and heroic character. Musical performance like an introduction is executed after each vocal part. Mugham was used in “Leyli and Majnun” opera by Uzeyir Hajibeyov. Signal calls of Azerbaijani radio were based on the beginning notes of this mugham. (en)
  • «Эйраты» или «Хейраты» (азерб. Heyratı, Һејраты) — один из ритмических азербайджанских мугамов. Поётся в тональности «до раст» отдела «». Музыкальный размер — 4/4. Носит жизненный, героический характер. После каждой вокальной части исполняется близкое к введению инструментальное исполнение. Мугам использован в опере Узеира Гаджибекова «Лейли и Меджнун». Начало мугама бралось за основу сигнальных вызовов Азербайджанского радио. (ru)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Afrasiyab_Badalbeyli_mugam_eyrati.jpg
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  • “Heyrati” (Azerbaijani: Heyratı) – is one of the rhythmic mughams of Azerbaijan. It’s performed at a key of “C rast” of “Mahur-hindi” branch. Its time signature is – 4/4. It has a vital and heroic character. Musical performance like an introduction is executed after each vocal part. Mugham was used in “Leyli and Majnun” opera by Uzeyir Hajibeyov. Signal calls of Azerbaijani radio were based on the beginning notes of this mugham. (en)
  • «Эйраты» или «Хейраты» (азерб. Heyratı, Һејраты) — один из ритмических азербайджанских мугамов. Поётся в тональности «до раст» отдела «». Музыкальный размер — 4/4. Носит жизненный, героический характер. После каждой вокальной части исполняется близкое к введению инструментальное исполнение. Мугам использован в опере Узеира Гаджибекова «Лейли и Меджнун». Начало мугама бралось за основу сигнальных вызовов Азербайджанского радио. (ru)
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