Desire Caught by the Tail is the third solo album by Adrian Belew, released in 1986. It is an instrumental record that was written, arranged and performed by Belew alone. Unlike its predecessors Lone Rhino and Twang Bar King, Desire Caught By the Tail is an entirely experimental album. It was recorded using treated, multi-tracked electric guitars, guitar synthesizer, keyboards and assorted percussion instruments.
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| - Desire Caught by the Tail (album) (en)
- 夢のしっぽ (ja)
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| - 『夢のしっぽ』(原題:Desire Caught by the Tail)は、アメリカ合衆国のミュージシャン、エイドリアン・ブリューが1986年に発表した、ソロ名義では3作目のスタジオ・アルバム。 (ja)
- Desire Caught by the Tail is the third solo album by Adrian Belew, released in 1986. It is an instrumental record that was written, arranged and performed by Belew alone. Unlike its predecessors Lone Rhino and Twang Bar King, Desire Caught By the Tail is an entirely experimental album. It was recorded using treated, multi-tracked electric guitars, guitar synthesizer, keyboards and assorted percussion instruments. (en)
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| - Desire Caught by the Tail (en)
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| - Adrian Belew - Desire Caught by the Tail.jpg (en)
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| - Creative Audio, Urbana, IL (en)
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| - Desire Caught by the Tail is the third solo album by Adrian Belew, released in 1986. It is an instrumental record that was written, arranged and performed by Belew alone. Unlike its predecessors Lone Rhino and Twang Bar King, Desire Caught By the Tail is an entirely experimental album. It was recorded using treated, multi-tracked electric guitars, guitar synthesizer, keyboards and assorted percussion instruments. The title Desire Caught by the Tail is from the play 'Le Désir attrapé par la queue', written by Pablo Picasso. The album is in part inspired by Picasso, with both the sound and the composition style being more abstract, harsh and loosely structured than much of Belew's other solo repertoire. (en)
- 『夢のしっぽ』(原題:Desire Caught by the Tail)は、アメリカ合衆国のミュージシャン、エイドリアン・ブリューが1986年に発表した、ソロ名義では3作目のスタジオ・アルバム。 (ja)
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