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Glue-size is a painting technique in which pigment is bound (sized) to cloth (usually linen) with hide glue, and typically the unvarnished cloth was then fixed to the frame using the same glue. Glue-size is also known as distemper, though the term "distemper" is applied variously to different techniques. Glue-size was used because hide glue was a popular binding medium in the 15th century, particularly among artists of the Early Netherlandish period, who used it as an inexpensive alternative to oil. Although a large number of works using this medium were produced, few survive today, mainly because of the high perishability of linen cloth and the solubility of hide glue. Well-known and relatively well-preserved — though substantially damaged — the most notable examples include Quentin Matsy

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  • Glue-size (en)
  • Tüchlein (fr)
  • Tüchlein (it)
  • Tüchlein (nl)
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  • Glue-size is a painting technique in which pigment is bound (sized) to cloth (usually linen) with hide glue, and typically the unvarnished cloth was then fixed to the frame using the same glue. Glue-size is also known as distemper, though the term "distemper" is applied variously to different techniques. Glue-size was used because hide glue was a popular binding medium in the 15th century, particularly among artists of the Early Netherlandish period, who used it as an inexpensive alternative to oil. Although a large number of works using this medium were produced, few survive today, mainly because of the high perishability of linen cloth and the solubility of hide glue. Well-known and relatively well-preserved — though substantially damaged — the most notable examples include Quentin Matsy (en)
  • Un tüchlein (de l'allemand : Tüch, « tissu », et Lein, « lin »), est une peinture exécutée à la détrempe sur fine toile de lin non préparée. Les tableaux de Pierre Bruegel l'Ancien L'Adoration des mages, conservé aux Musées royaux des beaux-arts de Belgique à Bruxelles, et Le Vin de la Saint-Martin, conservé au Musée du Prado à Madrid, sont des exemples de cette technique. (fr)
  • Il tüchlein (o tüchleinfarben, in tedesco: “pezzettino di stoffa”, dall'unione delle parole tedesche tüch, tessuto, e lein, lino) è una tecnica pittorica decorativa diffusa nelle Fiandre e nei paesi germanici nel Quattro Cinquecento. Le opere realizzate con questa tecnica prendono lo stesso nome. La tecnica è molto simile alla spagnola sarga, dove però si preferiva stendere un strato di gesso per creare una superficie liscia su cui lavorare. (it)
  • Tüchlein ('doekje', diminutief van het Duitse Tuch), ook lijmtempera genoemd, is de techniek waarbij verf van zeer fijn gemalen pigmenten en dierlijke lijm wordt aangebracht op fijn geweven linnen zonder grondlaag. De term tüchlein verwijst naar de textiele drager van de schildering: linnen gemaakt van vezelvlas. De schildering werd rechtstreeks op het doek aangebracht zonder dat deze was voorbereid met een grondlaag. De schilderijen in deze techniek worden eveneens tüchlein genoemd. Kenmerkend voor tüchlein is de zichtbaarheid van de structuur van het doek, evenals de mogelijkheid om het doek op te rollen. Door blootstelling aan licht zijn de kleuren in de loop der tijd vervaagd en veranderd. Een uitzonderlijk goed bewaard tüchlein is Ecce homo van Andrea Mantegna (ca. 1431-1506). (nl)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pieter_Bruegel_d._Ä._035.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Andrea_Mantegna_-_The_Lamentation_over_the_Dead_Christ_-_WGA13981.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/1531_Nuestra_Señora_de_Guadalupe_anagoria.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pieter_Bruegel_the_Elder_-_The_Parable_of_the_Blind_Leading_the_Blind_-_WGA3511.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dieric_Bouts_-_The_Entombment_-_WGA02961.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Albrecht_Dürer_083.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Anbetung_der_Könige_(Bruegel,_um_1564).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Bouts_Resurrection.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/El_vino_de_la_fiesta_de_San_Martín_(Pieter_Brueghel_el_Viejo)_(restaurada).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Quinten_Massys_-_The_Virgin_and_Child_with_Saints_Barbara_and_Catherine_-_Google_Art_Project.jpg
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  • Glue-size is a painting technique in which pigment is bound (sized) to cloth (usually linen) with hide glue, and typically the unvarnished cloth was then fixed to the frame using the same glue. Glue-size is also known as distemper, though the term "distemper" is applied variously to different techniques. Glue-size was used because hide glue was a popular binding medium in the 15th century, particularly among artists of the Early Netherlandish period, who used it as an inexpensive alternative to oil. Although a large number of works using this medium were produced, few survive today, mainly because of the high perishability of linen cloth and the solubility of hide glue. Well-known and relatively well-preserved — though substantially damaged — the most notable examples include Quentin Matsys' Virgin and Child with Saints Barbara and Catherine (c. 1515-25) and Dirk Bouts' Entombment (c. 1440-55). In German the technique is known as Tüchleinfarben, meaning “small cloth colours”, or Tüchlein, derived from the German words Tüch and Lein ("fabric" and "flax"). (en)
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