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Subject Item
dbr:Frank_Sinatra_discography
dbo:wikiPageWikiLink
dbr:Sinatra_Sings_Cole_Porter
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dbo:Work yago:PhysicalEntity100001930 wikidata:Q2188189 yago:Wikicat2008CompilationAlbums dbo:Album yago:Medium106254669 yago:Album106591815 owl:Thing schema:MusicAlbum yago:Object100002684 yago:Artifact100021939 schema:CreativeWork wikidata:Q482994 wikidata:Q386724 yago:WikicatFrankSinatraCompilationAlbums yago:Whole100003553 dbo:MusicalWork yago:Instrumentality103575240
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Sinatra Sings Cole Porter
rdfs:comment
Sinatra Sings Cole Porter is a 2008 compilation album by American singer, Frank Sinatra. As the repository of the earliest phase of Frank Sinatra's solo career, 1943–1952, Columbia Records is usually thought to be at a disadvantage against the more accomplished work the singer recorded for Capitol Records and his own Reprise imprint. But in two albums released on the same day in 2003, Sinatra Sings Cole Porter and Sinatra Sings Gershwin, Columbia's Legacy division expands on its studio recordings of Sinatra by borrowing airchecks from the collection of Charles L. Granata, and thereby improves its holdings.
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Sinatra Sings Cole Porter
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dbc:Frank_Sinatra_compilation_albums dbc:2008_compilation_albums
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1014027692
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dbr:I_Get_a_Kick_Out_of_You dbr:Don't_Fence_Me_In_(song) dbr:Rosemary_Clooney dbr:You_Do_Something_to_Me_(Cole_Porter_song) dbr:You'd_Be_So_Easy_to_Love dbr:Reprise_Records dbc:Frank_Sinatra_compilation_albums dbr:Traditional_pop_music dbr:Capitol_Records dbr:You'd_Be_So_Nice_to_Come_Home_To dbr:I_Love_You_(Cole_Porter_song) dbr:Vocal_jazz dbr:Just_One_of_Those_Things_(song) dbr:Why_Can't_You_Behave%3F dbr:Cole_Porter dbr:Night_and_Day_(song) dbc:2008_compilation_albums dbr:Begin_the_Beguine dbr:Sinatra_at_the_Movies dbr:I_Concentrate_on_You dbr:Standard_(music) dbr:I've_Got_You_Under_My_Skin dbr:Columbia_Records dbr:Frank_Sinatra_Sings_the_Select_Cole_Porter n18:_1939-1952 dbr:Frank_Sinatra dbr:So_in_Love
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dbr:Frank_Sinatra
dbp:genre
dbr:Vocal_jazz dbr:Traditional_pop_music dbr:Standard_(music)
dbp:label
SBME Special MKTS
dbp:nextTitle
dbr:Sinatra_at_the_Movies
dbp:nextYear
2008
dbp:prevTitle
n18:_1939-1952
dbp:prevYear
2007
dbp:recorded
0001-12-11
dbp:released
2008-02-01
dbp:type
compilation
dbo:abstract
Sinatra Sings Cole Porter is a 2008 compilation album by American singer, Frank Sinatra. As the repository of the earliest phase of Frank Sinatra's solo career, 1943–1952, Columbia Records is usually thought to be at a disadvantage against the more accomplished work the singer recorded for Capitol Records and his own Reprise imprint. But in two albums released on the same day in 2003, Sinatra Sings Cole Porter and Sinatra Sings Gershwin, Columbia's Legacy division expands on its studio recordings of Sinatra by borrowing airchecks from the collection of Charles L. Granata, and thereby improves its holdings. Sinatra would not seem at first blush to be the ideal interpreter of Cole Porter, if only because his rough-and-tumble background is always visible beneath his careful intonation, while Porter's lyrics are redolent of wealth and comic condescension. But Sinatra sang "Night and Day" in his first solo session in 1942 and went on to perform Porter throughout his career, often achieving near-definitive readings. The ground on which they met was intellectual rather than social: Porter was at heart a wit, and Sinatra understood the jokes, while emphasizing what emotional content there was, giving it a greater sincerity than the songwriter might have intended. This collection effectively mixes a bunch of studio recordings with previously unreleased radio performances that find Sinatra ranging over many different Porter moods. The singer can be appropriately smoldering on "I Concentrate on You" just after turning in a version of "Don't Fence Me In" for Your Hit Parade that captures its rambunctious mood even as he stumbles over the rapid-fire lyrics and shouts, "Too many words!" Equally playful (and wordy) is his duet with Rosemary Clooney on "Cherry Pies Ought to Be You," a piece of Porter patter that should be known better. This album is an excellent addition to Columbia's underrated Sinatra archive and a gift to the singer's fans. The sound quality is iffy on some of these aging tracks, but the material makes the release worthwhile.
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