About: Tone name

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In tonal languages, tone names are the names given to the tones these languages use. * In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely level (Chinese: 平; pinyin: píng), rising (Chinese: 上; pinyin: shǎng), departing (Chinese: 去; pinyin: qù), and entering (Chinese: 入; pinyin: rù), each split into yin (Chinese: 陰; pinyin: yīn) and yang (Chinese: 陽; pinyin: yáng) registers, and the categories of high and low syllables. * Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. * Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and

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  • Die Töne des Hochchinesischen (chinesisch 四聲 / 四声, Pinyin sì shēng – „vier Töne“) sind ein Charakteristikum der hochchinesischen Sprache. Mit der Eigenschaft einer Tonsprache ist eine Änderung im Ton auch mit einer Änderung der Bedeutung des Wortes verbunden. Das Hochchinesische verfügt über vier solcher Töne; der neutrale Ton wird manchmal als fünfter gezählt. (de)
  • In tonal languages, tone names are the names given to the tones these languages use. * In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely level (Chinese: 平; pinyin: píng), rising (Chinese: 上; pinyin: shǎng), departing (Chinese: 去; pinyin: qù), and entering (Chinese: 入; pinyin: rù), each split into yin (Chinese: 陰; pinyin: yīn) and yang (Chinese: 陽; pinyin: yáng) registers, and the categories of high and low syllables. * Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. * Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively. The table shows an example of both the phonemic tones and their phonetic realization, in the IPA. (en)
  • 聲調語言 中的 聲調名 是給這些語言所使用 聲調 所定的名字。 * 當代 標準漢語 (普通話)中,聲調由一編號至四。 是從 中古漢語 的 四聲 即 平 , 上 , 去 ,與 入 發展而來,但不完全類同,各分裂成 陰 和 陽 音區,以及 高 和 低 音節的類別。 * 標準越南語有 六聲調,稱為 平聲ngang, 銳聲sắc, 玄聲huyền, 問聲hỏi, 跌聲ngã, 和 重聲nặng。 * 泰語 有五個音素 聲調:中、低,降,高和升。 下表所示為在 IPA中的各 音素 聲調及其 音標 實現之例。 (zh)
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  • shǎng (en)
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  • yáng (en)
  • píng (en)
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  • yīn (en)
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  • Die Töne des Hochchinesischen (chinesisch 四聲 / 四声, Pinyin sì shēng – „vier Töne“) sind ein Charakteristikum der hochchinesischen Sprache. Mit der Eigenschaft einer Tonsprache ist eine Änderung im Ton auch mit einer Änderung der Bedeutung des Wortes verbunden. Das Hochchinesische verfügt über vier solcher Töne; der neutrale Ton wird manchmal als fünfter gezählt. (de)
  • 聲調語言 中的 聲調名 是給這些語言所使用 聲調 所定的名字。 * 當代 標準漢語 (普通話)中,聲調由一編號至四。 是從 中古漢語 的 四聲 即 平 , 上 , 去 ,與 入 發展而來,但不完全類同,各分裂成 陰 和 陽 音區,以及 高 和 低 音節的類別。 * 標準越南語有 六聲調,稱為 平聲ngang, 銳聲sắc, 玄聲huyền, 問聲hỏi, 跌聲ngã, 和 重聲nặng。 * 泰語 有五個音素 聲調:中、低,降,高和升。 下表所示為在 IPA中的各 音素 聲調及其 音標 實現之例。 (zh)
  • In tonal languages, tone names are the names given to the tones these languages use. * In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely level (Chinese: 平; pinyin: píng), rising (Chinese: 上; pinyin: shǎng), departing (Chinese: 去; pinyin: qù), and entering (Chinese: 入; pinyin: rù), each split into yin (Chinese: 陰; pinyin: yīn) and yang (Chinese: 陽; pinyin: yáng) registers, and the categories of high and low syllables. * Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones. * Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and (en)
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  • Töne des Hochchinesischen (de)
  • Tone name (en)
  • 聲調名 (zh)
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