The psychology of film is a sub-field of the psychology of art that studies the characteristics of film and its production in relation to perception, cognition, narrative understanding, and emotion. A growing number of psychological scientists and brain scientists have begun conducting empirical studies that describe the cognitive and biological underpinnings of motion pictures or what has been called "psychocinematics". Early theoretical approaches included works by psychologists Hugo Münsterberg and Rudolf Arnheim. Cognitive film theorists David Bordwell and Noël Carroll fostered its philosophical underpinnings.
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